Suchergebnisse
Suchergebnisse:
Oja Kodar was born Olga Palinkaš, in 1941, in Zagreb, the capital city of Croatia, to a Hungarian father and a Croatian mother. In 1966, Kodar and her lover, American filmmaker Orson Welles, began shooting 'The Deep' on the Yugoslav coast. He had cast her in one of the lead roles in the project.
Oja Kodar (/ˈɔɪ.ə ˈkoʊdɑːr/ OY-ə KOH-dar; born Olga Palinkaš; 1941) is a Croatian actress, screenwriter and director known as Orson Welles's partner during the later years of his life. Description above from the Wikipedia article Oja Kodar, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Orson Welles – Oja Kodar Papers includes scripts, production documents, photographs, and other materials from Orson Welles's work in film and other media. General correspondence, topical files, papers related to Oja Kodar, and personal materials also make up a portion of collection. The bulk of the papers date from the 1960s to the 1980s with a smaller amount of material from the 1930s ...
28. Juli 2018 · July 28, 2018. Oja Kodar in a scene from The Other Side of the Wind. Oja Kodar made her first public comments about Orson Welles’ The Other Side of the Wind since signing the deal with Netflix that allowed its long-awaited completion to begin. Speaking with the Croatian Audiovisual Centre, Kodar said Friday that she has opted not to see the ...
Oja Kodar és una actriu, guionista i directora de cinema croata, coneguda per ser parella d'Orson Welles durant els darrers anys de la seva vida. Personal [ modifica ] Nascuda com a Olga Palinkaš a Zagreb de pare hongarès i mare croata, Kodar va ser sòcia i amant d'Orson Welles durant els últims anys de la seva vida.
Oja Kodar, née Olga Palinkas en 1941 à Zagreb, est une actrice, scénariste et metteur en scène hungaro-croate. Elle partagea la vie d'Orson Welles de 1962 à 1985. Biographie. Née d'un père hongrois et d'une mère croate, elle renco ...
F For Fake (1973) -- (Movie Clip) Introducing Oja Kodar Prurient and fascinating, music by Michel Legrand, Orson Welles and his cameras committing mischief in Paris, entirely a digression from the broader subject of art and forgery, with an appearance by Laurence Harvey, in the high-brow documentary F For Fake, 1973.
