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Íngrid Vendrell-Ferran is a professor at University of Marburg, Department of Philosophy. They are interested in Value Theory, Aesthetics, History of Western Philosophy, 20th Century Philosophy, Philosophical Traditions, and Metaphysics and Epistemology. Follow them to stay up to date with their professional activities in philosophy, and browse their publications such as "Religious Emotion as ...
Rezensentin Manuela Lenzen hat Ingrid Vendrell Ferrans philosophische Arbeit über Emotionen durchaus mit Wohlwollen aufgenommen, auch wenn sie ihr etwas aufreizend Altmodisches bescheinigt. Die Autorin orientiert sich bei ihrer Analyse offenkundig an den Arbeiten der Frühphänomenologen wie Johannes Daubert, Alexander Pfänder oder Gerda Walther und differenziert Gefühle in Reaktionen auf ...
13. Feb. 2019 · Rezension von Íngrid Vendrell Ferran: Die Vielfalt der Erkenntnis. Eine Analyse des kognitiven Werts der Literatur. Paderborn: mentis Verlag 2018. PDF HTML Veröffentlicht 2019-02-13. Ausgabe Bd. 7 Nr. 2 (2019) Rubrik Buchbesprechungen ...
Inhalt ausklappen Inhalt einklappen Vendrell Ferran, Ingrid, Prof. Dr. ... Kontaktdaten +49 6421 28-24405 ingrid.vendrellferran@ 1 Wilhelm-Röpke-Straße 6 35032 Marburg W|02 Geisteswissenschaftliche Institute (Raum: 04B06 bzw. +4B06) Organisationseinhe ...
Ingrid Vendrell-Ferran - forthcoming - In Maik Niemeck & Stefan Lang (eds.), Self and Affect: Philosophical Intersections. Basingstoke: Palgrave Macmillan. details In contrast to previous conceptualizations of episodic self-esteem as a cognitive assessment of one’s own self, recent proposals have categorized this phenomenon as an affective state.
1. Juni 2022 · Ingrid Vendrell Ferran is on Facebook. Join Facebook to connect with Ingrid Vendrell Ferran and others you may know. Facebook gives people the power to share and makes the world more open and connected.
Concepts of Truth in Literature: A Contemporary Reading of Hartmann's Aesthetics. by Ingrid Vendrell-Ferran. This paper offers a reading of Hartmann’s philosophy of literature from the perspective of contemporary aesthetics. In particular, I focus on his defense of the truth-value of literary works.
