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  1. 17. Mai 2024 · Most notably in the jazz world, it was George Russell 's influential text from 1953 entitled "The Lydian Chromatic Concept of Tonal Organization" that brought the idea of using this scale (and by extension, using modes) to jazz musicians in the mid- 1950s. Similarly, in classical music, the late 19th and early 20th Century composers ...

  2. Vor 2 Tagen · Russell and his men, talented though they are, have blown themselves into a musical cul-de-sac. Possibly, if one read Russell’s book “The Lydian Chromatic Concept of Tonal Organization”, his aims might be clarified. But the age-old test of “music must be good if it sounds good” still applies. And frankly, the contents of this LP don ...

  3. Vor 2 Tagen · Russell wrote the book called "The Lydian Chromatic Concept of Tonal Organization", in which he invented the Lydian mode and Lydian chromatic concept - a concept that is based on the fulcrum of a composition, which determines the scale or mode that should be the polarized force behind all musical events. Miles didn't fully understand this concept, but he adored the Lydian scale (the fourth ...

  4. Of course the king of all theory books has to be The Lydian Chromatic Concept of Tonal Organization. The book that inspired an entire generation of jazz musicians and composers. I have never read it but I would love to find it.

  5. Vor 3 Tagen · Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky. Heinrich ...

  6. 11. Mai 2024 · Visit my eBay shop: ars musica munich. very rare old sheet music Lydian chromatic concept of tonal organization for improvisation by George Russel 1959 with original slider for chords and 2 tables Antiquarian sheet music for piano, violin, guitar, accordion and much more.

  7. 10. Mai 2024 · Other essays explore the composer George Russell's Lydian Chromatic Concept as a critique of mid-twentieth-century discourses of embodiment, madness, and black masculinity; performances of "female hysteria" by Les Diaboliques, a feminist improvising trio; and the BBC radio broadcasts of Ivy Benson and Her Ladies' Dance Orchestra ...