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  1. Vor 3 Tagen · Robert Bresson’s movies, characterized by their stark realism and austere beauty, invite viewers into an introspective journey that fundamentally challenges and, with some luck, transforms their perceptions of what the cinematic medium can achieve. Bresson operated from a singularly uncompromising artistic philosophy that sought to strip away the extraneous, the melodramatic, and the overtly ...

  2. 22. Mai 2024 · Auf der Suche nach den Klassikern: Cannes feiert Robert Bresson, Leos Carax und Miguel Gomes, enttäuscht mit Paolo Sorrentino und David Cronenberg und verblüfft mit Sean Bakers Genrehit „Anora“.

  3. 21. Mai 2024 · The introduction consists of a silent fade-in, followed by the exposition, which pairs animal sounds—Balthazar’s hoofing, the chirping of birds, the barking of dogs, and, especially, the tolling of sheep bells—with shots of the hillside and the human and nonhuman animals in it.

  4. 14. Mai 2024 · An interview with Robert Bresson from "Cannes Film Festival 1983" (TF1 International 1983).

    • 6 Min.
    • 230
    • CITYofEGG
  5. 19. Mai 2024 · FOUR NIGHTS OF A DREAMER. Cannes Classics showcases one of Robert Bresson ‘s least-known films with Four Nights of a Dreamer, loosely adapted from Dostoevsky’s White Nights and presented by Nathanaël Karmitz in a restored version brought to the screen by MK2.

  6. Vor 2 Tagen · Paul Schrader’s early encounters with Robert Bresson’s work led to a career as a screenwriter, director, and film critic who returns again and again to guilt-ridden solitary men who attempt to ...

  7. 24. Mai 2024 · The new Senses of Cinema features Becoming Nonhuman, a dossier including essays on Robert Bressons Au hasard Balthazar (1966) and Jerzy Skolimowski’s EO (2022), Michelangelo Antonioni’s Blow-Up (1966) and Hlynur Pálmason’s Godland (2022), and the work of Lucien Castaing-Taylor