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  1. 15. Mai 2024 · Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, t...

    • 10 Min.
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    • gavinwb1
  2. 22. Mai 2024 · Tangerine, a beautiful and captivating song performed by Helen O’Connell and Bob Eberly, holds a deeper meaning beneath its enchanting melody. Released in 1987 as part of the album “Green Eyes,” the song has stood the test of time and continues to resonate with listeners today.

  3. 7. Mai 2024 · When it comes to timeless songs, “Amapola” by Helen O’Connell is undoubtedly one that will always hold a special place in my heart. Released in 1941 as a single, this beautiful melody captures the essence of love and longing, evoking emotions that resonate with listeners even after all these years.

  4. 25. Mai 2024 · In conclusion, “Green Eyes” by Helen O’Connell & Bob Eberly is a song that beautifully captures the longing and desire evoked by someone’s green eyes. The lyrics paint a vivid portrait of love and vulnerability, while also acknowledging the haunting nature of unrequited affections.

    • Daniel Velasquez
  5. 24. Mai 2024 · The Uncollected: Helen O'Connell and The Page Cavanaugh Trio - 1953 by Helen O'Connell and The Page Cavanaugh Trio, released 24 May 2024 1. Don't Take Your Love from Me (featuring The Generation Singers) 2. That Old Feeling 3. Oh, You Crazy Moon (featuring The Generation Singers) 4. S Wonderful 5. Stars Fell on Alabama 6. Penthouse Serenade (featuring The Generation Singers) 7. Too Marvelous ...

  6. 23. Mai 2024 · Helen O’Connell, the “quintessential big band singer of the 1940’s,” was born on this day in 1920. She was vocalist of the Jimmy Dorsey Orchestra from 1939, often paired with Bob Eberly, who would croon the first part of a song, after which she would do an upbeat version of it. You can hear that…

  7. 16. Mai 2024 · The Jimmy Dorsey Orchestra (“On a Little Street in Singapore,” “Besame Mucho,” “Dusk in Upper Sandusky”) featured the amazing Helen O’Connell at the microphone, who sang heartbreaking ballads as well as uptempo, danceable tunes, often as duets with the Dorsey band’s versatile male vocalist Ray Eberly.