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  1. The Film Scorer podcast features interviews with the best film score composers. Guests include Tim Hecker, Patrick Stump, and Oscar winners and nominees - listen now!

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  1. 15. Juni 2024 · Mit den Alben Saturday Night Fever: The Original Movie Sound Track (1,5 Millionen) und The Very Best of the Bee Gees (1 Million) landeten die Bee Gees zwei weitere Millionenseller, die zu den meistverkauften Musikalben in Deutschland zählen.

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  2. 11. Juni 2024 · 1978: für das Album Saturday Night Fever: The Original Movie Sound Track Neuseeland. 1997: für das Album Still Waters Vereinigtes Königreich. 1997: für das Album The Very Best of the Bee Gees; 2001: für das Album One Night Only; 2004: für das Album Their Greatest Hits – The Record

  3. Vor 2 Tagen · On the surface, it’s easy to see Badham’s film as a lighthearted disco movie with its infectious Bee Gees soundtrack, but beyond the alluring glow of the dancefloor, the truth is that Saturday Night Fever is actually a dark film that explores the cruel realities of life in 1970s New York City, as Tony and many of his friends and lover sadly discover.

  4. 10. Juni 2024 · Saturday Night Fevercaptures the essence of the 1970s disco era, telling the story of Tony Manero, a young man from Brooklyn who finds escape from his mundane life through dance. The...

  5. 6. Juni 2024 · Shop "V.A. - Saturday Night Fever (The Original Movie Sound Track) - Vinyl 2LP - 1977 - NL - Original" at the HHV Online Shop – large selection fast delivery worldwide shipping

  6. Vor 2 Tagen · The soundtrack album is based on the film of the same title which starred John Travolta. It was one of the best-selling albums of all time with about 40 million copies sold worldwide, and had a great impact on disco phenomenon in the late 1970s. The album stayed at the top of the U.S. Billboard's album chart for 24 weeks from January ...

  7. Vor 5 Tagen · Janet Jackson's Rhythm Nation 1814 (also simply known as Rhythm Nation 1814) is the fourth studio album by American singer Janet Jackson, released on September 19, 1989, by A&M Records. Although label executives wanted material similar to her previous album, Control (1986), Jackson insisted on creating a concept album addressing social issues.