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  1. 15. Mai 2024 · Sabina Wex · CBC Arts · Posted: May 15, 2024 7:50 AM PDT | Last Updated: May 15. Kathleen Hanna is a punk icon, a pioneer of the riot grrrl movement and one of the most influential feminists of the...

  2. 14. Mai 2024 · In “Rebel Girl: My Life as a Feminist Punk,” Hanna — known for her bands Bikini Kill, Le Tigre and the Julie Ruin, whose songs chastised abusers and celebrated girls, and as a force of the riot grrrl movement, which brought third-wave feminism to an underground generation and was later commodified into girl-power marketing ...

  3. 14. Mai 2024 · In “Rebel Girl: My Life as a Feminist Punk,” Hanna — known for her bands Bikini Kill, Le Tigre and the Julie Ruin, whose songs chastised abusers and celebrated girls, and as a force of the riot grrrlmovement, which brought third-wave feminism to an underground generation and was later commodified into girl-power marketing — accesses new levels o...

  4. 23. Mai 2024 · Julie Ruin - Julie Ruin (album review ) | Sputnikmusic. 3.5. great. Review. by Malen USER ( 41 Reviews) May 23rd, 2024 | 0 replies. Release Date: 1998 | Tracklist. Review Summary: Kathleen Hannah's wild experiments.

  5. 10. Mai 2024 · Reading the book not only reconnected me with my love of Bikini Kill, Le Tigre, and Julie Ruin (and introduced me to her first band Viva Knievel), it also helped me reunite with the full spectrum of my emotions. You can tell that it must have been a very cathartic book to write because it is an extremely cathartic book to read ...

  6. 15. Mai 2024 · 15 days ago. Radio. 36:05. Kathleen Hanna is a punk icon, a pioneer of the riot grrrl movement, and one of the most influential feminists of the ‘90s. As the frontwoman of Bikini Kill, Le Tigre and...

  7. 14. Mai 2024 · Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its exclusivity.