Suchergebnisse
Suchergebnisse:
Vor 4 Tagen · Teo Macero Blue Rondo À La Turk is a jazz composition by the Dave Brubeck Group, and it was released as a part of their album “Time Out” in 1959. The song was written by Dave Brubeck himself, who was known for his innovative approach to jazz music.
- Shirley Buckley
14. Juni 2024 · Inspired by Teo Macero’s use of tape editing on early ‘70s Miles Davis’ records, the band’s resident mixologist Rafferty Swink was entrusted with the job of arranging these group improvised moments. The result is a potent, genre-defying kaleidoscope of electric jazz, psych, and soul. With musical pedigrees as wide ranging as ...
28. Juni 2024 · It was produced by Teo Macero, whose collaboration effectively contributed to the album’s compositional structures; Davis and Macero, in fact, left the tape running, waiting for the music to take shape, and the title track alone, for example, contained fifteen edits and a number of loops.
13. Juni 2024 · Inspired by Teo Macero’s use of tape editing on early ‘70s Miles Davis’ records, the band’s resident mixologist Rafferty Swink was entrusted with the job of arranging these group improvised, spontaneous compositions. The result is a potent, genre-defying kaleidoscope of electric jazz, psych, and soul.
20. Juni 2024 · Monk’s reliable and longstanding quartet with saxophonist Charlie Rouse is captured at a very good moment here, in an excellent recording produced by Teo Macero. The only new Thelonious Monk composition on is ‘Bright Mississippi’, but the effortless swing and interplay of this session have made Monk’s Dream the leader’s ...
Vor 5 Tagen · Sitting behind them is producer/editor Teo Macero, whose exceptional work helps give compositional structure to the very varied moods and styles of the tracks on this double-LP, ranging from the surprisingly straight blues of “Red China Blues,” to the near-hypnotic vamp of “He Loved Him Madly” by way of the frightening ...
25. Juni 2024 · Regarding Brubeck’s “interest in exploring unusual time signatures,” George Avakian, the executive who had signed Brubeck in 1954, later recalled that he left Columbia to help start Warner Bros. Records in 1958 and that Time Out was “produced by Teo Macero, a Varèse student I had hired at Columbia after hearing his ...
