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22. Mai 2024 · Adding an extra layer, the easy-going warmth of this album’s title track hovers sensuously above ballad tempo. The leader’s regular rhythm section, bassist Kiyoshi Kitagawa and drummer Blake ...
6. Mai 2024 · Kenny Barron - Beyond This Place. Label: Artwork Records, 2024. Personnel - Immanuel Wilkins: alto saxophone; Kenny Barron: piano; Steve Nelson: vibraphone; Kiyoshi Kitagawa: bass; Johnathan Blake: drums. Pianist and composer Kenny Barron, a towering figure in the jazz world with 13 Grammy nominations and induction into the American Jazz Hall ...
13. Mai 2024 · VGC, Very Good Condition. Sheet Music Waltz by W. H. Sajewski Music Publishing Co., "Whose Girl Are You" a waltz Blue Barron and his orchestra. For piano. published 1947, 1949 Music by Joseph P. Durlak English lyrics by Albert Gamse SKU YY-0-...
20. Mai 2024 · Blue Barron & His Orchestra: B♭ Major: 1: 6B: 82 BPM: Always Be Young at Heart: E-Basement, Billy Valentine: A Major: 7: 11B: 130 BPM: Blue (with Sarah Vaughan) Barry Manilow, Sarah Vaughan: F♯ Major: 3: 2B: 83 BPM: I'm Gonna Lock My Heart: Birgitte Soojin, Per Møllehøj: C Major: 1: 8B: 139 BPM: Impasse: Werner Addison: F ...
21. Mai 2024 · Kenny Barron. When NEA Jazz Master Kenny Barron said the above some time ago, it actually inspired a bit of social media controversy. As you'll discover through this interview with the veteran pianist, he can back this advice with sixty years plus of experience, and the younger musicians he's employed in his trio and quintet have listened to him.
8. Mai 2024 · Though Nelson and Barron have a history together, this is the first time for Wilkins, the youngster who has proved vital in leading on his two widely acclaimed Blue Note releases and as a valued sideman. Like most jazz elders, Barron prides himself on mentorship, and Wilkins now joins a growing list of alumni who have worked with the ...
22. Mai 2024 · On his 1992 album, Sambao, Barron began to embrace Brazilian music, which has become a defining characteristic of his musical life in the last quarter-century. He already had a feel for Latin jazz, as might be expected from someone who’d played in the bands of Dizzy Gillespie, who pioneered the use of Afro-Cuban rhythms in jazz. But Barron’s interest predated those years. “The disc ...
