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  1. 8. Mai 2024 · Carolee Schneemann (born October 12, 1939, Fox Chase, Pennsylvania, U.S.—died March 6, 2019, New Paltz, New York) was an American multimedia artist whose feminist artworks dealt with identity and gender politics and social taboos.

  2. Vor 5 Tagen · Bekannte Künstler der Body-Art-Bewegung sind Marina Abramović, Chris Burden, Günter Brus, Gina Pane, Pippilotti Rist, Carolee Schneemann, Vito Acconci, Valie Export und Timm Ulrichs. Auch viele Künstler des Wiener Aktionismus der 60er Jahre zählen dazu.

  3. 15. Mai 2024 · Die feministisch geprägte «Body Art» von Carolee Schneemann, einer engen Freundin von Kogelnik, spielt hinein. Der menschliche und vor allem auch weibliche, noch bei Marilyn Monroe idealisierte...

  4. naptimegrls.substack.com › p › horror-queensHorror Queens - naptime

    8. Mai 2024 · Carolee Schneemann, 'Fresh Blood - A Dream Morphology', 1983, Film Still. Whilst women artists have been accurately depicting the female body and experience for centuries, such as Artemisia Gentileschi’s ‘Judith Beheading Holofernes’, it wasn’t until abject art that they were portrayed in such an unabashed, honest way, on such a recognisable scale.

  5. 23. Mai 2024 · I can see it: Carolee Schneemann, Ana Mendieta, Yoko Ono, and others used their art to force people to think about violence, racism, and feminism years before Madonna arrived in New York, but there is nevertheless something of the same unabashed body confidence of Schneeman’s Meat Joy in Madonna’s navel-baring video for “Lucky ...

  6. 28. Mai 2024 · Maggie Nelson’s recent book of collected writings, Like Love: Essays and Conversations (Graywolf/Fern Press, 2024), is, in many ways, an ode to paying attention. Comprised of reflections on art and literature – including essays on Hilton Als, Sarah Lucas, Fred Moten and Carolee Schneemann – as well as dialogues with ...

  7. 25. Mai 2024 · Carolee Schneemann, Eye Body #11, 1963, The Estate of Carolee Schneemann, Galerie Lelong and Co., Hales Gallery, and P.P.O.W. Gallery, New York. Since the 1970s, women’s art has steadily transcended the margins of the art world, moving into the mainstream of contemporary art discourse.