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20. Mai 2024 · 1969: the year of The Velvet Underground’s lost album ‘VU’. In the history of music, there is perhaps no singular year quite as fascinating as 1969. At the end of the decade, it also signified the end of an era. The optimism of the 1960s was fading out, morphing into something darker as chaos seemed to rule over the music world.
Vor 4 Tagen · Well here it is, the “lost” album—or part of it—The Velvet Underground recorded after 1969's The Velvet Underground, their first and only album with MGM Records. The songs on VU were intended as their second MGM release. But in the meantime the druggy-hating Mike Curb (leader of the totally Squaresville Mike Curb Congregation) was brought in to save the struggling
17. Mai 2024 · Published on. May 17, 2024. By. Domenic Priore. Cover: Courtesy of Universal Records. The Velvet Underground & Nico may have been released in 1967, but it never seemed part of the Summer Of Love ...
- Domenic Priore
- 3 Min.
Vor 5 Tagen · After all, the youthful counterculture of the 1960s had largely dissipated as the bands who made up that scene grew up, put down their joints and discovered the expensive hobby of cocaine addiction. As such, the early 1970s were mainly characterised by soulless, middle-of-the-road pop-rock, as well as overly complex and complacent progressive rock. Both Led Zeppelin, and The Velvet Underground ...
18. Mai 2024 · Key Takeaways: The Velvet Underground, a pioneering band, fearlessly challenged societal norms and pushed the boundaries of music, leaving a lasting impact on art, fashion, and pop culture.
21. Mai 2024 · In 1991, Eno appeared on BBC Radio 4’s Desert Island Discs to pick out his eight favourite songs of all time. Neighbouring selections from Fela Kuti, Miles Davis, Captain Beefheart, and Gene Chandler was the Velvet Underground’s 1967 classic ‘Sunday Morning’. This was a time when everyone was singing about flowers in their hair, and The ...
7. Mai 2024 · Sponsor. In The Velvet Underground (2021), screening on Wednesday, October 20 at 7 p.m. as part of the Madison Museum of Contemporary Art’s Spotlight Cinema series, Todd Haynes directs a film that’s true to the countercultural spirit of the band.
