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  1. Vor 22 Stunden · The notion of an Iommi-only Sabbath proved controversial among fans, but with gifted new vocalist Tony Martin (retained from 1987’s chaotic Eternal Idol period), long-serving keyboard player Geoff Nicholls and new member Cozy Powell (drums), Iommi defied the odds with Headless Cross (1989), a formidable comeback.

  2. Vor einem Tag · Geoff Nicholls [keyboardist] wasn't there. But it was great to be able to relook at this and try and make it sound better. Of course, you can only look at it to a certain extent. You can't change ...

  3. Vor 4 Tagen · Dann trat der damals 29-jährige Brite Tony Martin in das Leben BLACK SABBATHs und verhalf dem Riesen wie einst Dio zu alter Stärke. Inklusive dessen Zwischeneinsatzes brachte es Martin auf stattliche zehn Jahre. Um dieser Zeit einen angemessenen Tribut zu zollen, gelangt nun "Anno Domini 1989 – 1995" auf den Markt, ein opulentes Werk, das ...

  4. 12. Mai 2024 · 1989’s Headless Cross featured, alongside Tony Martin and guitarist Tony Iommi, bassist Laurence Cottle, keyboard player Geoff Nicholls and drummer Cozy Powell (the latter fresh out of Gary Moore’s band). This album regularly features in fans’ favourite Sabbath albums and rightly so.

  5. Vor 4 Tagen · Headless Cross (1989): This album marked a major comeback for Black Sabbath, featuring Tony Martin on vocals, Tony Iommi on guitar, Cozy Powell on drums, Laurence Cottle on bass, and Geoff Nicholls on keyboards. It reached #31 on the UK Albums Chart and includes powerful tracks like “Devil & Daughter” and “When Death Calls”.

  6. Vor 22 Stunden · "Back then I didn't like it at all,” recalls Forbidden's vocalist, Tony Martin. “Neither did [drummer] Cozy Powell, and neither did [keyboard player] Geoff Nicholls. We were all like a bit ...

  7. 9. Mai 2024 · Then Cozy Powell pounds out a statement of intent as Iommi offers up some power chords, and the band settle into a steady bluesy roll led by Laurence Cottle’s insistent bassline and Geoff Nicholls’ keys. Tony Martin shows his class and power, especially on the chorus. It’s heavy, punchy, and commercial, and talking of ...