Suchergebnisse
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Vor 6 Tagen · George Lucas orientierte sich bei der Ästhetik des Films an Gregg Toland, der als Kameramann für seine kontrastreiche Szenenausleuchtung und innovative Kameraführung bekannt wurde. Lucas wollte durch überbelichtete Farben, starke Schatten und einem surrealen Aussehen fremde Welten darstellen, die dennoch eine ästhetische ...
29. Mai 2024 · Category: Gregg Toland – cinematographer. Enter Teresa Wright in The Little Foxes 1941 – Behold, tomorrow I will bring locusts… and they shall eat every tree of yours that grows in the field. “I only ever wanted to be an actress, not a star.”
Vor einem Tag · Most people will tell you that low-angle shots make people look powerful and domineering, while high-angle shots make them look small and vulnerable. I learned to disregard this advice a long time ago when I watched Citizen Kane and saw how Gregg Toland and Orson Welles did the exact opposite, and no one complained. However, this convention isn ...
Vor 2 Tagen · Swanson and Kennedy tried to salvage it with an alternative ending shot on November 24, 1931, directed by Swanson and photographed by Gregg Toland. Only two other films were made under Gloria Productions. The Trespasser in 1929 was a sound production, and garnered Swanson her second Oscar nomination.
4. Juni 2024 · Cinematographer Gregg Toland provided the deep focus effect with his specially treated lenses and light-sensitive film stock. The deep focus cinematography allowed the entire scene being shot to have primary focus and thus allowing the subjects to have equal importance visually.
15. Juni 2024 · David Lean holds the record for the director with the most films that won the Academy Award for Best Cinematography at the Oscars with five wins out of six nominations for Great Expectations, The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and Ryan's Daughter .
Vor 2 Tagen · Despite its uncompromising humanist and political stance, Ford's screen adaptation of John Steinbeck's The Grapes of Wrath (scripted by Nunnally Johnson and photographed by Gregg Toland) was both a big box office hit and a major critical success, and it is still widely regarded as one of the best Hollywood films of the era.
