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18. Mai 2024 · In the following year, he met the executives at Blue Note while working as a sideman for saxophonist Lou Donaldson. This meeting led to Silver signing with the label where he would remain until 1980. He also collaborated with Art Blakey in forming the Jazz Messengers during the early 1950s (which Blakey would continue to lead after ...
30. Mai 2024 · Art Blakey & the Jazz Messengers' Free for All was recorded in February 1964 and released in July 1965. Only four tracks were recorded, two per side. And yet the album is one of the hard-bop sextet's finest and most ambitious works. The band is firing on all cylinders.
23. Mai 2024 · The Blue Note Modern Jazz Series began late in 1951 with the following 10" monaural LPs. Some of these LPs were later reissued as part of the Blue Note 1500 Series of 12" LPs. At first, recordings were made in various studios in New York (Reeves Sound Studio, WOR Studios, Apex Studios, Audio Video Studios).
29. Mai 2024 · Art Blakey & The Jazz Messengers, Mosaic (Blue Note) So far in our “Year By Year” series, we have established one thing: The Jazz Messengers – led by the compulsive, propulsive and polyrhythmic drumming of Art Blakey – all but defined hard bop.
9. Mai 2024 · Altoist Lou Donaldson is featured with the Three (Gene Harris, Andy Simpkins, Bill Dowdy) Sounds here and the merger is a good one. Donaldson blows brightly and the rhythm group backs him in solid fashion. Tunes include Three Little Words, Just Friends and Blue Moon, plus a few originals. Good, listenable modern jazz. —–
Vor 3 Tagen · Horace Silver’s Room 608 from Horace Silver And The Jazz Messengers (Blue Note, 1958) is afforded a nuclear-powered arrangement. Paul Van Wormer’s articulate alto solo on Shorter’s On The Ginza is followed by a strident trumpet outing by Josh Mercado.
Vor 2 Tagen · This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards , lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books , but may not be performed as regularly or as widely as many of the popular standards.
