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  1. 5. Mai 2024 · The Lodger 1944 music by Hugo Friedhofer. • Jack the Ripper Film and TV Music The Lodger 1944 music by Hugo Friedhofer ~ original film music extracted from the movie. # ...

    • 10 Min.
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    • Fish Man
  2. 2. Mai 2024 · Moreover, Hugo Friedhofers evocative score complements the film’s emotional beats, underscoring moments of joy, sorrow, and introspection with subtle grace. The screenplay, penned by Robert E. Sherwood, strikes a delicate balance between poignant drama and moments of humor, creating a narrative that is both engaging and deeply ...

  3. anthonyesolen.substack.com › p › the-best-years-of-our-lives-1946The Best Years of Our Lives (1946)

    9. Mai 2024 · This is one of my favorite movies, and I always call attention to the beautiful musical score by Hugo Friedhofer. Of many great moments I would just single out the part after Fred gets fired when he advises Homer to marry Wilma. The music while Homer is walking along, thinking it over, is just perfect, and so interestingly angular. You feel you ...

  4. 10. Mai 2024 · Dialogue, sound mix and Hugo Friedhofers music score are all presented faithfully and clearly with minor cases of distortion like crackling, popping and hissing present. This release is likely the best the movie will ever sound on home video.

  5. 19. Mai 2024 · The score for One-Eyed Jacks was composed by Hugo Friedhofer. Friedhofers evocative music perfectly complemented the film’s dramatic moments, enhancing the overall viewing experience. Karl Malden co-starred alongside Marlon Brando. Malden delivered a powerful performance as the loyal partner turned bitter enemy of Brando’s ...

  6. Vor 6 Tagen · The musical score of The Bishop’s Wife, composed by Hugo Friedhofer, received critical acclaim for its beautiful and emotive melodies that enhanced the storytelling. The Bishop’s Wife was remade as The Preacher’s Wife

  7. Vor 2 Tagen · Steiner spent twelve weeks working on the score, the most prolonged period he had ever spent writing one, and at two hours and thirty-six minutes long, it was also the longest he had ever written. Five orchestrators were hired: Hugo Friedhofer, Maurice de Packh, Bernhard Kaun, Adolph Deutsch and Reginald Bassett.