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Vor 7 Stunden · "Nobody's Fool" was released as the sixth and final single when it was sent to the radio in January 2005, almost two years after the previous single from Let Go, and after the release of Lavigne's second studio album, Under My Skin. Other songs were released as regional radio-only singles. "Things I'll Never Say" was released as a radio-only ...
- Pop Pop-Punk Alternative Rock Post-Grunge
Vor 6 Tagen · Diese Diskografie ist eine Übersicht über die musikalischen Werke der franko-kanadischen Pop-Rock-Sängerin Avril Lavigne. Den Quellenangaben und Schallplattenauszeichnungen zufolge verkaufte sie bisher mehr als 76 Millionen Tonträger. Ihre erfolgreichste Veröffentlichung ist das Debütalbum Let Go mit über 20 Millionen ...
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I agree Under My Skin 20 would be a great idea. It’s one of her most solid albums, it’s a fan favourite, and is in desperate need of remastering. I still listen to it occasionally but the way it’s produced is definitely a product of its time. If the music was upgraded a bit like she did with Let Go 20 I think this would be ...
30. Mai 2024 · Lavigne released her second studio album Under My Skin in May 2004, and debuted at number one in Australia, Mexico, Canada, Japan, the United Kingdom and the United States. The album went on to sell more than 10 million copies worldwide. "
24. Mai 2024 · One notable name, and arguably the most popular artist in pop-rock, AVRIL LAVIGNE, managed to find success throughout the 2000s with three prominent albums in rock and pop-punk: Let Go (2002), Under My Skin (2004), and The Best Damn Thing (2007), each with their own
21. Mai 2024 · In today’s submissive prosti-tot pop world, Avril’s backbone and honesty — not to mention the fact she actually wears clothes — are encouraging. She may be growing up fast. But it Under My Skin is any indication, she’s gonna be OK.
28. Mai 2024 · The album represents a musical departure from her previous studio album Under My Skin (2004), which incorporated more elements of post-grunge. The Best Damn Thing is seen by critics as Lavigne's most commercial effort.
