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18. Mai 2024 · Concentrating on sacred music, hymns and Mass settings, Williams started composing again with a hymn to St. Martin de Porres entitled, Black Christ of the Andes (1963), three jazz settings of the Mass were to follow. Inevitably, there was opposition. Sacred music thus far had not been jazz-influenced — a genre often associated with degeneracy ...
8. Mai 2024 · “Mary Lou Williams’s Hymn ‘Black Christ of the Andes (St. Martin de Porres):’ Vatican II, Civil Rights, and Jazz as Sacred Music.” The Musical Quarterly 86, no. 4: 591–629.
Vor 5 Tagen · She founded Mary Records, the first such company established by a woman. In the 1960s and ’70s she composed a number of liturgical pieces for jazz ensembles, including Black Christ of the Andes (1962), a cantata; Mass for the Lenten Season (1968); and Music for Peace (1970), popularly known as “Mary Lou’s Mass.”.
- The Editors of Encyclopaedia Britannica
14. Mai 2024 · The Julia Keefe Indigenous Big Band is pictured here at the Kennedy Center, where they headlined for the Mary Lou Williams Jazz Festival on May 11. Abenaki and other Indigenous perspectives took ...
22. Mai 2024 · By Bob Weinberg Cecilia Smith hammers home the historical import of a jazz matriarch. Cecilia Smith wasn’t deeply familiar with Mary Lou Williams when she was approached to perform a concert of the jazz matriarch’s music in 2000. A friend, who was a member of Our Lady of Victory Church in Brooklyn, proffered the invitation
Vor 4 Tagen · Mary Lou Williams Presents Black Christ Of The Andes 1963 Jazz
22. Mai 2024 · Aaron Diehl, one of the foremost jazz pianists of his generation, pays a heartfelt homage to the iconic Mary Lou Williams through the first complete largescale recording of one of her landmark works on his fourth full-length release on Mack Avenue Records.