1999
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20. Mai 2024 · Damo Suzuki, Irmin Schmidt, Jaki Liebezeit, Michael Karoli & Holger Czukay “Future Days” is a song by the influential German rock band Can, known for their experimental and innovative sound. Released in August 1973 as part of their album “Anthology 1968-1993 (25 Years)”, the song is an instrumental piece with dreamy and atmospheric ...
I really like Saw Delight, it reminds me a lot of Remain in Light era Talking Heads (but, you know, missing David Byrne). I’ve always suspected that Brian Eno molded TH into this sound. I can take or leave the rest of the album, but animal waves makes the album worth listening to imo, so euphoric!
5. Mai 2024 · Mit "Monster Movie" debutierte 1969 eine der avantgardistischsten und einflussreichsten deutschen Bands, die Kölner Formation Can, bestehend aus Irmin Schmidt (Keys), Michael Karoli (Git.), Holger Czukay (Bass), Jaki Liebezeit (Perc), sowie - damals noch - Malcom Mooney (Gesang).
- Krautrock
- 1969
15. Mai 2024 · "Tago Mago" enthält einerseits strukturierte Stücke wie "Paperhouse" und "Mushroom", bei denen über einem ziemlich gleichförmigen Grundrhythmus Michael Karoli der Gitarre die merkwürdigsten Töne entlockt und Sänger Damo Suzuki eigenartige Wort- oder Satzfetzen ins Mikro schreit, hustet, flüstert.
- Krautrock
- 1971
3. Mai 2024 · “Full Moon on the Highway” is a song by the German experimental rock band Can, released in September 1975 as part of their album titled “Landed”. The song was written by Peter Gilmour, Michael Shmidt, Jaki Liebezeit, Michael Karoli, and Holger Czukay. In this article, we will explore the meaning behind this captivating song.
Vor 6 Tagen · Best known as the founding vocalist of the influential German psychedelic band, Can, he has performed at The Barbican Centre in London, England, and his art has been exhibited across Europe and North America, including shows at Galerie Max Mayer in Dusseldorf, the Aspen Art Museum, as well as Ulrik and White Columns in New York City.
Vor 18 Stunden · Within the Can Live series, this is the first to feature bassist Rosko Gee (Traffic) who had recently joined Irmin Schmidt, Jaki Liebezeit, Michael Karoli, and Holger Czukay (who, relieved of bass duties is credited with “waveform radio and spec. sounds” on the album), and would perform with them until the band’s split in 1979.
