Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Vor 5 Tagen · South Pacific is a musical composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and book by Hammerstein and Joshua Logan. The work premiered in 1949 on Broadway and was an immediate hit, running for 1,925 performances.

  2. Vor 5 Tagen · The original requirement was only that the nominated song appear in a motion picture during the previous year. This rule was changed after the 1941 Academy Awards, when "The Last Time I Saw Paris", from the film Lady Be Good, with music by Jerome Kern and lyrics by Oscar Hammerstein II, won.

  3. Vor 2 Tagen · When Sondheim was about ten years old (around the time of his parents' divorce), he formed a close friendship with James Hammerstein, son of lyricist and playwright Oscar Hammerstein II, who were neighbors in Bucks County. The elder Hammerstein became Sondheim's surrogate father, influencing him profoundly and developing his love of ...

  4. Between 1948 and 1951, he wrote All That Glitters, High Tor, Mary Poppins and Climb High as part of a course of study under his mentor Oscar Hammerstein II. Saturday Night (1954), his first professional musical, finally had its world premiere at London’s Bridewell Theatre in 1997 at the instigation of The Stephen Sondheim Society, followed by ...

  5. 13. Mai 2024 · Oscar Hammerstein II - Broadway's Greatest Lyricist: "The King And I", "Oklahoma", "The Sound Of Music", "Carousel", "South Pacific", "Show Boat", "Flower Drum Song". With Jessie Barth, Oscar Expert! — Follow Your Dream Podcast.

  6. 2. Mai 2024 · “Ol’ Man River” was originally written by composer Jerome Kern and lyricist Oscar Hammerstein II for the 1927 musical “Show Boat.” The show was groundbreaking for its time, as it tackled serious issues such as racial prejudice and the struggles of African Americans in the South.

  7. 10. Mai 2024 · The Meaning Behind The Song: All the Things You Are by Charlie Parker. Charlie Parker’s rendition of “All the Things You Are” is one of the classic jazz interpretations of all time. Written in 1939 by Jerome Kern and Oscar Hammerstein II, the song is a staple of the Great American Songbook.