Suchergebnisse
Suchergebnisse:
10. Mai 2024 · “Requiem for the Masses” by The Association is a powerful song that delves into themes of loss, sacrifice, and the often thankless role of the masses. The song invites listeners to pause and reflect on the individuals who make up society, highlighting their dreams, struggles, and untold stories.
Vor 3 Tagen · This month marked the 150th anniversary of the first performance of Giuseppe Verdi’s Requiem. The premiere, led by the composer, took place on May 22, 1874 at the Church of San Marco in Milan, and was followed by subsequent performances at La Scala and in Paris. Powerfully dramatic, Verdi’s Requiem is liturgy through the lens of opera. Scored for four vocal soloists (soprano, mezzo-soprano ...
20. Mai 2024 · Share: This year marks the 150th anniversary of the first performance of the Requiem Mass by Giuseppe Verdi. The premiere took place under the direction of the composer at St. Mark's Church in Milan on Friday, May 22, 1874, one year to the day after the death of Alessandro Manzoni, to whose memory the work is dedicated.
22. Mai 2024 · May 22, 2024. By. Jeremy Nicholas. Photo: PALM/RSCH /Redferns. Verdi ’s Requiem is one of the most famous and enthralling settings of the Catholic funeral mass. The work was composed in...
- Jeremy Nicholas
- 2 Min.
15. Mai 2024 · Betsy Schwarm. Requiem in D Minor, K 626, requiem mass by Wolfgang Amadeus Mozart, left incomplete at his death on December 5, 1791. Until the late 20th century the work was most often heard as it had been completed by Mozart’s student Franz Xaver Sussmayr. Later completions have since been offered.
- Betsy Schwarm
22. Mai 2024 · Scored for four vocal soloists (soprano, mezzo-soprano, tenor, and bass), double chorus, and orchestra, it is music conceived for the concert hall rather than the church. Verdi, the composer of 28 operas, and by all accounts an agnostic, presents the Latin Mass for the dead as a visceral, human drama.
21. Mai 2024 · This alphabetical survey contains classical, vocal requiems (and their composers) including fragments and unfinished ones in the original Latin text as well as in other languages (e.g. German requiems), requiem-songs, motets and profane requiems. Instrumental ones are not included. Acknowledgements. I wish to give special thanks to:
