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  1. 8. Mai 2024 · Rudolph Maté was a Polish-born filmmaker who was best known for his work as a cinematographer, though he later had some success as a director. Maté studied at the University of Budapest. His film career began in 1919, after Alexander Korda hired him as an assistant cameraman. He worked in Berlin.

    • Michael Barson
  2. Vor 3 Stunden · Their story was loosely based on real historical events as well as the 1962 Rudolph Maté film, The 300 Spartans. Both focus on King Leonidas leading a small force of elite soldiers, 300 men ...

  3. 19. Mai 2024 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

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  4. 16. Mai 2024 · Weitere für den Film noir wichtige Hollywood-Immigranten waren vor allem die Regisseure Robert Siodmak, Billy Wilder, Otto Preminger, John Brahm, Max Ophüls, Fred Zinnemann, William Dieterle, Edgar G. Ulmer, Curtis Bernhardt, Rudolph Maté, Anatole Litvak und Michael Curtiz, die zahlreiche bedeutende Filme des klassischen Kanons schufen ...

  5. Vor 3 Tagen · The film’s stunning cinematography is credited to Rudolph Maté. His use of light and shadows contributes significantly to the overall aesthetic of the film. The Passion of Joan of Arc has been praised for its realistic and non-idealized portrayal of the characters.

  6. 19. Mai 2024 · The film’s visuals, with its dramatic lighting and composition, are a testament to the artistry of cinematographer Rudolph Maté. Gilda was restored and re-released in 2016 In 2016, a restored version of Gilda was released to celebrate its 70th anniversary, allowing new audiences to experience its timeless appeal .

  7. 8. Mai 2024 · While the noir had many of the genre’s standard elements—hard-boiled dialogue, menacing shadows (shot by cinematographer Rudolph Maté), bursts of sudden violence, and a sense of treachery informing every turn—it brought a daring degree of eroticism to the screen, challenging the sexual mores of the time with its undertones of ...