Yahoo Suche Web Suche

  1. Erhalten Angebote für {kewyord:ähnliche artikel} auf Amazon. Entdecken tausende Produkte. Lesen Kundenbewertungen und finde Bestseller

Suchergebnisse

  1. Suchergebnisse:
  1. Vor 2 Tagen · A list of American films released in 1941. Rage in Heaven starring Robert Montgomery and Ingrid Bergman. How Green Was My Valley won Best Picture at the Academy Awards.

  2. 31. Mai 2024 · This is a list of films and miniseries that are based on actual events. Films on this list are generally from American production unless indicated otherwise. 1940. A Dispatch from Reuters (1940) – biographical drama film about Paul Reuter, the man who built the famous news service that bears his name [1] [2]

  3. 27. Mai 2024 · This feminine archetype was introduced to American mainstream media as a cinematic character, especially popular in 1940s Film Noir. The fatal woman “combines physical seductiveness with lethal ambition: a drive for personal independence within which the man is no longer a romantic object of desire” (Walker-Morrison). This ...

  4. 31. Mai 2024 · What was the plotline of the 1941 film "The Feminine Touch"? Answer: A college professor wants to publish a book disproving jealousy. This film stars Don Ameche as the professor of psychology, John Hathaway, who wants to publish a book on the theme of jealousy to disprove it.

  5. 18. Mai 2024 · See my other items The Feminine Touch is a 1941 American comedy film directed by W.S. Van Dyke, and starring Rosalind Russell and Don Ameche.

  6. 15. Mai 2024 · 1. The Maltese Falcon. Humphrey Bogart, Mary Astor, Peter Lorre. 60 votes. In the intricate web of The Maltese Falcon, private detective Sam Spade (Humphrey Bogart) finds himself entangled in a dark mystery. A femme fatale, Brigid O'Shaughnessy (Mary Astor), hires him for what appears to be a simple case.

  7. 30. Mai 2024 · For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory.