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The Merry Widow, Glyndebourne review: All the makings of a classic. The festival’s first-ever staging of this funny operetta is made magical by John Wilson’s conducting and Danielle de Niese as the title diva.
Sugar, swirls of silk and saucers of champagne abound in the decadent excess of Glyndebourne’s new production of Lehár’s biggest hit, The Merry Widow. Polite society be damned, there’s more sexual energy on stage than in a dubious television hook-up show – and the gags are better too.
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There was a brilliantly funny scene in the National Theatre’s One Man, Two Guvnors in which James Corden played a man with two jobs fighting with himself. It started with a slap on his own cheek...
Programme. Lehár, Franz (1870-1948) Die lustige Witwe (The Merry Widow) (Sung in English) Performers. This listing was input with the assistance of data from Operabook. Map Wish list. Add to Google calendar. Export to iCal or Outlook. Email details to a friend.
The nifty footwork of the eponymous widow herself is admirable for a different reason: Danielle de Niese, who brings vocal and physical glamour aplenty to the role, tore a ligament in her knee joint recently, requiring her to rehearse with her leg in a brace.
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