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  1. 17. Mai 2024 · Most notably in the jazz world, it was George Russell 's influential text from 1953 entitled "The Lydian Chromatic Concept of Tonal Organization" that brought the idea of using this scale (and by extension, using modes) to jazz musicians in the mid- 1950s. Similarly, in classical music, the late 19th and early 20th Century composers like Debussy, Ravel, Stravinsky, Bartok, Holst, and others ...

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  3. Vor 5 Tagen · After being discharged from the Army, he returned to New York City in 1955 and began performing in Greenwich Village jazz clubs, where he found a mentor in fellow pianist George Russell, whose “Lydian Chromatic Concept” to harmony would greatly inform Evans’ musical style.

  4. Vor 3 Tagen · Russell and his men, talented though they are, have blown themselves into a musical cul-de-sac. Possibly, if one read Russell’s book “The Lydian Chromatic Concept of Tonal Organization”, his aims might be clarified. But the age-old test of “music must be good if it sounds good” still applies. And frankly, the contents of this LP don ...

  5. Vor 4 Tagen · For example, exploit the minor second in Phrygian or the augmented fourth in Lydian to create signature licks that stand out in solos or fills. Chromatic Approach and Passing Tones: Concept: Using chromaticism or non-diatonic passing tones can add intrigue and complexity to modal playing, especially when transitioning between modes in a piece.

  6. Of course the king of all theory books has to be The Lydian Chromatic Concept of Tonal Organization. The book that inspired an entire generation of jazz musicians and composers. I have never read it but I would love to find it.

  7. 11. Mai 2024 · very rare old sheet music Lydian chromatic concept of tonal organization for improvisation by George Russel 1959 with original slider for chords and 2 tables Antiquarian sheet music for piano, violin, guitar, accordion and much more. Browse in our store in Munich from Tue - Sat Shipping worldwide Please contact us, we try to find the ...