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Madeline Gail Kahn (* 29. September 1942 als Madeline Gail Wolfson in Boston, Massachusetts; † 3. Dezember 1999 in New York) war eine US-amerikanische Film -, Fernseh - und Theater schauspielerin . Inhaltsverzeichnis. 1 Leben. 2 Erste Bühnenrollen. 3 Filmrollen. 4 Spätere Jahre. 5 Theater. 6 Filmografie (Auswahl) 6.1 Spielfilme. 6.2 Fernsehserien.
Madeline Gail Kahn (née Wolfson; September 29, 1942 – December 3, 1999) was an American actress, comedian, and singer. She is known for comedic roles in films directed by Peter Bogdanovich and Mel Brooks, including What's Up, Doc?
Madeline Kahn. Actress: Paper Moon. Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university ...
Actress: Paper Moon. Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer.
DVD & VoD. Job Schauspielerin. Vollständiger Name. Madeline Gail Wolfson. Nationalität. Amerikanische. Geburtstag 29. September 1942. Todestag 3. Dezember 1999 im Alter von 57 Jahren. 27....
3. Dez. 1999 · Zu ihren erfolgreichen Telehits gehört die Titelrolle in der Miniserie "Oh Madeline" (1983/84) und die Lois Gullickson in "Mr. President" (1987/88) mit George C. Scott in der Titelrolle. Sie spielt in dem Telefilm "Wanted: The Perfecht Guy" (1990) und ist Co-Star von Ed Asner in der Wiederaufnahme des Broadway-Hits "Born Yesterday" (1989). Als ...
4. Mai 2015 · Yet Madeline Kahn often didn’t seem to appreciate her comedic talent, even though it kept her close to the hearts of audiences for three decades. That’s just one of the many sad notes that arise from William V. Madison’s well-researched and insightful biography of Kahn, once hailed by New York Times critic Vincent Canby as possibly the ...
