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  1. I know that most of Debussy's music is very impressionistic, but even then, his music generally makes me envision a science fiction environment. Not dystopian, or anything that's post-apocalyptic. But a very utopian sci-fi setting. Take La Mer, for example. Even though it originally depicts the ocean (hence the title), I always suspect that it could fit really well in, say, a PG-rated sci-fi ...

  2. 13. Mai 2024 · The third movement of Mahler’s Third, ostensibly a Scherzo, is one of the most magical and atmospheric pieces he ever wrote. At its heart is a posthorn solo, played here by Matthew Williams, the sounds of which should float in the wind above a cushion of susurrating strings. Mahler directs that the instrument should sound “from afar”.

  3. Vor 4 Tagen · New York Premiere Moret „En rêve“ New World Symphony, Leitung Michael Tilson Thomas Franz Schubert: Bühnenmusik zu Rosamunde Alban Berg: Violinkonzert „Dem Andenken eines Engels“ Norbert Moret: En rêve Claude Debussy: La mer Mehr Informationen unter www.carnegiehall.org September 2014

  4. 13. Mai 2024 · Conductors with limited experience of Mahler tend to fuss over this music to little avail, but after a lifetime Tilson Thomas knows just to let it breathe and sing. The performance ended with a ...

  5. 14. Mai 2024 · In a comfy hall with a slick orchestra and a polished maestro, all of that can feel abstract and remote. Not last night at the Barbican. In 2021, Michael Tilson Thomas – conductor laureate of the London Symphony Orchestra – was diagnosed with glioblastoma, an aggressive form of brain tumour.

  6. 14. Mai 2024 · And at the centre is Nietzsche’s hymn to the human longing for eternity. To hold all this together is a hugely taxing thing for any conductor, but especially so for Tilson Thomas, the American conductor who has been a much-loved member of the LSO family for almost 40 years. He has been suffering from a brain cancer for some years, and as he ...

  7. 13. Mai 2024 · The orchestra has Tilson Thomas down to conduct Mahler’s huge Second Symphony, the Resurrection, in October but the orchestra’s management must be reconsidering the prudence and feasibility of this further appearance. It was all very sad to witness and took the edge off a fine performance.