amazon.de wurde im letzten Monat von mehr als 1.000.000 Nutzern besucht
Kostenlose und einfache Rücksendungen für Millionen von Artikeln. Niedrige Preise, Riesenauswahl. Sicher bezahlen mit Kauf auf Rechnung.
Suchergebnisse
Suchergebnisse:
Vor 15 Stunden · Wir sollten glauben, dass die Liebe zur Femme Fatale gefährlich ist. Aber in dieser, wie in vielen Fällen, liegt die wahre Gefahr in Misogynie und Unverträglichkeit. Richard Linklaters "Hit Man" ist eine Neuinterpretation der klassischen Femme-fatale-Geschichte, in der die Liebe eine Option für beide Geschlechter ist, so Noah Berlatsky.
Vor einer Stunde · Richard Linklater’s “Hit Man” reworks the femme fatale trope, imagining a world where the possibility of love is open for men and women, writes Noah Berlatsky.
28. Mai 2024 · The femme fatale is a beautiful and enigmatic female character who uses her charms and attractiveness as means to her nefarious ends. Works of 19th-century French criticism first coined the term...
Vor 15 Stunden · Opinion by Noah Berlatsky. (CNN) — “I’m rotten to the heart,” Phyllis Dietrichson (Barbara Stanwyck) confesses with breathless bitterness in Billy Wilder’s classic 1944 noir, “Double Indemnity.”. Eighty years ago this month, Wilder and Stanwyck established Phyllis as the archetype of the femme fatale — a misogynist fever dream ...
Vor 4 Tagen · La femme fatale in noir cinema, or in policier, or even in the new forms of sci-fi policier like Sugar is on her way out, which is a terrible tragedy. There is something that forbids our heroes to confront head-on the seductive vamp, which becomes a mere vehicle of moving the plot forward rather than the central enigma of its evolution. In other words, the femme fatale is no more no less than ...
24. Mai 2024 · By definition, a femme fatale is “an attractive and seductive woman, especially one who is likely to cause distress or disaster to a man who becomes involved with her.” They are a staple of some...
27. Mai 2024 · The Merriam-Webster Dictionary currently defines the “Femme Fatale” as “a seductive woman who lures men into dangerous or compromising situations” (Walker-Morrison). This feminine archetype was introduced to American mainstream media as a cinematic character, especially popular in 1940s Film Noir.
