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  1. 1. Juli 2024 · Jackie Washington is listed as a “Black Puerto Rican folksinger, part of the Cambridge and Greenwich Village folk scenes, marketed by Vanguard as some kind of “male Joan Baez,” whose version of Jean Ritchie’s Nottamun Town is the likely source of the tune used by Dylan for his Masters of War.

    • Steve Shapiro
  2. 21. Juni 2024 · Lankum found the song via the Jean Ritchie/Doc Watson version from the Appalachians, one of the crucibles of modern popular music and a place of migration for the Scots-Irish (‘hillbilly’ originating, it is said, in the exiled Presbyterian fealty to William of Orange or ‘King Billy’).

  3. 16. Juni 2024 · The original versions were titled “Black Dog Blues,” with a chorus lamenting that the singer’s lady called him an “Old Black Dog,” but Rose’s version alternated that chorus with one that began “Call me a dog when I’m gone,” and I stuck with that.

  4. 20. Juni 2024 · Jean Ritchie recorded the ballad on her 1961 Folkways album, British Traditional Ballads in the Southern Mountains, Volume 1 . Jean’s version, which she learned the from her mother, corresponds with Story Type A found in Tristram Potter Coffin’s The British Traditional Ballad in North America .

  5. 15. Juni 2024 · “O Love Is Teasin'” is a traditional folk song performed by Jean Ritchie. The lyrics explore the complexities of love and the bittersweet experiences that come with it. The song reflects on the fleeting nature of love and how it can change over time.

    • Jean Ritchie
    • Traditional
    • 1952
  6. 3. Juni 2024 · Jean Ritchie’s chillingly pure version states that “The cuckoo is a pretty bird” that “sucks pretty flowers to make her voice clear.” More recent songs of the cuckoo describe the cuckoo as “sucking upon the wild bird’s eggs”, not “pretty flowers”, to sustain herself, hinting at the cuckoo’s vampiric nature.

  7. 17. Juni 2024 · Barbry Ellen is a traditional folk ballad that has been passed down through generations. Jean Ritchie, a folk singer and songwriter, included her version of the song in the album “British Traditional Ballads in the Southern Mountains, Volume 1” released in 1960.