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  1. 1. Juni 2024 · He directed Tie Me Up! Tie Me Down! (1989), High Heels (1991), and Live Flesh (1997). Almodóvar's next two films, All About My Mother (1999) and Talk to Her (2002), earned him an Academy Award each for Best International Feature Film and Best Original Screenplay, respectively.

  2. 21. Mai 2024 · The Three Tenors (José Carreras, Luciano Pavarotti, and Plácido Domingo) have been credited for introducing operatic music to wider audiences. Some of their performances have been iconic. Pavarotti, in particular, became famous for collaborating with pop stars throughout his career. While some derided his actions for “degrading ...

    • The José Trio Film1
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    • The José Trio Film5
  3. Vor 3 Tagen · A l’âge de 44 ans, José Carreras connaissait une renommée internationale, au-delà des cercles lyriques. Trois ans auparavant, atteint d’une leucémie aiguë, les médecins lui donnait une chance sur dix de survivre.

  4. 14. Mai 2024 · Retrouvez les intégrales de l’émission sur FranceTV : https://www.france.tv/france-2/ca-commence-aujourd-hui/ Ils ont perdu un proche, leur frère ou leur be...

    • 14 Min.
    • 53,3K
    • Ça commence aujourd'hui
  5. Vor 4 Tagen · El Trio: Live in Italy. (Challenge Records) El Trio is a dream threesome of some of my favorite musicians, all whom have been in my various bands: Horacio ‘El Negro’ Hernández, one of the. most versatile and in-demand drummers in the history of Cuban music and jazz; José Armando Gola, a great double bass player, composer, and an.

  6. 30. Mai 2024 · José not only got in but was accepted into the studio of Jean-Delphin Alard, a famous performer and pedagogue. In 1856, one year after entering the Conservatoire, he won the Prix de Rome in violin–one of the most prestigious prizes in classical music.

  7. 21. Mai 2024 · But John Beasley, for one, together with José Armando Gola and Horacio “El Negro” Hernández, of course, has long gone past intimidation to produce ten spectacular charts – played and beautifully captured in Live in Italy, which also marks a change from the stately norm of acoustic instrumentation.