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  1. 29. Mai 2024 · When It’s Sleepy Time Down South is a beautiful and nostalgic song performed by the legendary musician, Louis Armstrong. The song was written in 1931 by Clarence Muse, Leon René, and Otis René. It became one of Armstrong’s signature songs and resonated deeply with audiences around the world.

  2. 1. Juni 2024 · When It’s Sleepy Time Down South, performed by Ethel Waters, is a beautiful song that perfectly captures the essence and charm of the Southern United States. The lyrics paint a vivid picture of the South, with its pale moon shining on the fields, darkies crooning songs, and a soft wind blowing through pinewood trees.

    • 1931-1934 (1993)
    • August 20, 1934
    • Ethel Waters
    • Clarence Muse, Leon René & Otis René
  3. Zu hören sein wird er dort mit Jazzklassikern wie “Indiana” und “When It’s Sleepy Time Down South”, seinem Chart-Hit “What A Wonderful World” und Versionen von Evergreens wie “Mack The Knife” oder “The Bare Necessities” aus Disneys „Dschungelbuch“.

  4. 7. Juni 2024 · "When It's Sleepy Time Down South" by Ruby Braff - Later in the film, Gary and Madison are shown talking in the bathtub together. As this scene plays out, Ruby Braff's song begins playing.

    • Richard Linklater
    • Senior Staff Writer
    • Glen Powell
  5. Vor 4 Tagen · "When It's Sleepy Time Down South", also known as "Sleepy Time Down South", is a 1931 jazz song written by Clarence Muse, Leon René and Otis René. It was sung in the movie Safe in Hell by Nina Mae McKinney, and became the signature song of Louis Armstrong, who recorded it almost a hundred times during his career. The song is now ...

  6. 2. Juni 2024 · "Straighten Up and Fly Right" is a 1943 song written by Nat King Cole and Irving Mills and performed by The King Cole Trio. It was the trio's most popular single reaching number one on the Harlem Hit Parade for ten nonconsecutive weeks. The single also peaked at number nine on the pop charts.

  7. Vor 3 Tagen · However, as ever, there are numerous trumpet and vocal gems to enjoy. Armstrong soars, seemingly unfazed by some plodding, undistinguished accompaniment (particularly pit-band style, in the medleys) which has been rightly panned. Yet it was a difficult time for him.