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Vor 6 Stunden · C’est Bazin qui le sort de prison et le fait travailler aux « Cahiers ». Trouvant sa vocation, le « sauvageon » s’intègre socialement et découvre des frères aussi passionnés et turbulents que lui, la fameuse bande formée par Godard, Chabrol, Rohmer et Rivette. La disparition d’André Bazin, à l’âge de 40 ans, en 1958, un an avant la sortie des « 400 Coups », lui causa ...
Vor 2 Tagen · André Bazin once wrote that with the invention of moving images, for the first time, “the image of things is likewise the image of their duration”. In this sense, cinema was born to be the mechanical, later digital, facsimile of memory; replicating the process of how in one’s own mind, a single sound, smell or image can represent a small ...
Vor einem Tag · Festival Lumière 2024 : Benicio Del Toro, un loup à Lyon. Le jour précédant la projection du « Dictateur », dans ce même cinéma lyonnais, l'acteur Benicio Del Toro insistait sur ce point ...
8. Okt. 2024 · Of all the classical film theorists, however, André Bazin has arguably exerted the most profound influence on contemporary film theory. Between 1944 and 1958 Bazin wrote a series of essays on cinema, and in 1951 co-founded the film studies journal Cahiers du cinéma.
Vor 5 Tagen · What Is Cinema? by André Bazin. André Bazin is one of the most influential figures in film theory, and his two-volume work What Is Cinema? is a cornerstone for anyone serious about understanding film criticism. Bazin emphasizes the importance of realism in cinema and the ways in which films capture the essence of reality. His thoughts on how ...
29. Sept. 2024 · Bazin focuses more on the origin and goal of filmmaking as opposed to one of the four elements of filmmaking; his main concern is with the recording and recreation of reality. Cinema, Bazin argues, was always an idea, even before the developments of technology that would have made it possible.
Vor 3 Tagen · Footnote 7 Her Colette films correspond rather to André Bazin’s definition of a good adaptation as ‘the refraction of one work in another creator’s consciousness’ (Bazin Citation [1948] 2000, 20). Quality conventions, in other words, are not antithetical to fully cinematic filmmaking. And second, Audry chose these source texts because ...
