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  1. 15. Mai 2024 · You can listen to an interview with composers Rachel Portman & Jon Ehrlich on www.filmmusicsite.com. They talk about their score for We Were The Lucky Ones and how it was working together. Go to www.filmmusicsite.com or Spotify.

  2. 15. Mai 2024 · Rachel Portman is a British composer who became the first woman composer to win an Academy Award, which she received for her work on Emma. She is also the first woman composer to win a Primetime Emmy Award, for her work on Bessy. She has written music for films such as Chocolat, Emma, The Cider House Rules, Their Finest, Godmothered ...

  3. Vor 8 Stunden · Natalie Portman is coming out on the other side of her divorce with a new outlook on life according to sources close to the star - after being linked to British hunk Paul Mescal.. The Black Swan ...

    • 2 Min.
    • Amy Lamare
  4. 22. Mai 2024 · ComingSoon spoke with composers Rachel Portman and Jon Ehrlick about their work on the Hulu series We Were the Lucky Ones. The series, about “a Jewish family separated at the start of World War...

  5. Vor 2 Tagen · Three are composers: Rachel Portman, who won for Emma (1996); Anne Dudley, who won for The Full Monty (1997); and Hildur Guðnadóttir, who won for Joker (2019). The fourth is lyricist Marilyn Bergman, who won for Yentl (1983) in the Original Song Score category, sharing the award with co-lyricist Alan Bergman (her husband) and ...

  6. sonyclassical.de › neuigkeiten › news-detailsRachel Portman

    13. Mai 2024 · Mit dabei ist die Komponistin Rachel Portman, die sechs Monate nach der Geburt ihrer ersten Tochter die Musik zum Kinofilm „Emma“ mit Gwyneth Paltrow, Ewan McGregor und Greta Sacchi schrieb, für welche sie dann einen Oscar gewann. Ihr jüngeres Werk „Tipping Points“, eine Suite für Violine und Orchester, das die bedrohte ...

  7. Vor 6 Tagen · A Q&A with Oscar and Emmy- winning composer Rachel Portman What initially drew you to composing music for films, and how did your early experiences at Oxford shape your career trajectory? When I was a music student at Oxford I had the fortunate opportunity to write the score for a feature film entirely made by students there.