Suchergebnisse
Suchergebnisse:
10. Mai 2024 · So much so that he photocopied bank notes in black and white for Delon to use in the film; and his longtime collaborator, cinematographer Henri Decaë refused to even give a hint of colour detail in the opening scene.
16. Mai 2024 · Henri Decaë’s cinematography in Le samouraï captures the moody atmosphere of the film, using shadows and lighting to evoke a sense of tension and suspense. The soundtrack of Le samouraï was composed by François de Roubaix.
2. Mai 2024 · The severe use of chiaroscuro by cinematographer Henri Decaë turns her into a ghostly figure, almost glowing and gliding. Similarly, Julien, stuck in a metal box after hours in an office building, is shrouded in darkness as well, and uses a lit cigarette lighter to provide a little illumination. This same chiaroscuro unites them in ...
- Olivia Rutigliano
Vor 4 Tagen · The film’s cinematography, done by Henri Decaë, showcases stunning visuals and masterful framing that enhance the overall mood of the movie. Elevator to the Gallows is known for its emotional intensity. The movie grips audiences with its emotional depth, exploring the complex inner lives of its characters in a profound way.
14. Mai 2024 · The film features stunning cinematography by Henri Decaë. Decaë’s use of shadows, long takes, and atmospheric lighting plays a crucial role in building the tense and mysterious atmosphere of the film. Le Cercle Rouge marked the final collaboration between Jean-Pierre Melville and Alain Delon.
14. Mai 2024 · Le Samouraï. Director: Jean-Pierre Melville. Director of Photography: Henri Decaë. Production Design: François de Lamothe. Year: 1967.
16. Mai 2024 · Oltre alla fedeltà al testo, il film si distingue anche per la fotografia di Henri Decaë, che resterà in seguito il più fedele collaboratore di Melville. Il regista francese in 25 anni di carriera realizza 13 lungometraggi, quasi sempre poco apprezzati dalla critica.
