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  1. 22. Mai 2024 · Jacques Lipchitz was a Russian-born French sculptor whose style was based on the principles of Cubism; he was a pioneer of nonrepresentational sculpture. As a youth, Lipchitz studied engineering in Vilnius, Lithuania. When he moved to Paris in 1909, however, he became fascinated by French.

    • The Editors of Encyclopaedia Britannica
  2. 20. Mai 2024 · Jacques Lipchitz, “Man with a Guitar”. Man with a Guitar by Jacques Lipchitz, 1915, 121.3 cm × 30.2 cm × 32.4 cm, limestone, the. c o llection of the Museum of Modern Art (MoMA) in New York. Lipchitzs “Man with a Guitar” translates the principles of Analytical Cubism into three.

  3. Vor 2 Tagen · According to Lipchitz, the memory of a street scene—a sailor playing a guitar in Mallorca—led him to explore the theme of the musician for the first time in 1914. The artist had arrived in Paris a few years earlier to enter the Beaux-Arts academy and flee Lithuania, where pogroms were on the rise, the artist was still searching for his identity. He studied academic techniques as well as ...

  4. Vor 6 Tagen · Die Kälte, die von Boros’ Statuetten ausstrahlt, verwandelt sich bei Jacques Lipchitz in erotische Wärme: Sein „Hohelied“ von 1946 lässt zwei hölzerne Gestalten zu einer Doppelskulptur...

  5. 20. Mai 2024 · Man with a Guitar by Jacques Lipchitz, 1915, 121.3 cm × 30.2 cm × 32.4 cm, limestone, the. collection of the Museum of Modern Art (MoMA) in New York. Lipchitzs “Man with a Guitar” translates the principles of Analytical Cubism into three. dimensions2. The sculpture’s angular, faceted forms create a dynamic interplay of ...

  6. 10. Mai 2024 · The Metropolitan Museum of Art Bulletin, v. 30, no. 6 (June–July, 1972) Heckscher, Morrison H., John K. Howat, Penelope Hunter-Stiebel, Jacques Lipchitz, Ben Vincent, and Roberta Wong. 1972. 48 pages.

  7. 23. Mai 2024 · View Woman on Elbow, 1933 by Jacques Lipchitz on artnet. Browse upcoming and past auction lots by Jacques Lipchitz.