Suchergebnisse
Suchergebnisse:
15. Mai 2024 · Er prägte die Entwicklung der Opéra-comique (Singspiel mit gesprochenem Dialog) maßgeblich mit, schrieb aber auch große Opern (Tragédies lyriques, mit gesungenen Rezitativen). Grétry schuf rund 70 Bühnenwerke, unter denen die Komödien überwiegen; dazu Vokalmusik anderer Genres.
31. Mai 2024 · The list includes composers' principal operas and those of historical importance in the development of the art form. It covers the full historical period from the birth of opera in the late 16th century to the present day, and includes all forms of opera from light music to more formal styles.
Vor 3 Tagen · Jacques Offenbach ( / ˈɒfənbɑːx /; [n 1] 20 June 1819 – 5 October 1880) was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.
Vor 5 Tagen · List of prominent operas. Since the origins of opera in late 16th century Italy, a central repertoire has developed, shepherded by major opera composers. The earliest major opera composer is generally considered to be Claudio Monteverdi, [1] who wrote the first prominent opera, L'Orfeo, followed by two others. Throughout the later ...
18. Mai 2024 · A student of Rodolphe Kreutzer, he was admitted in 1801 into the orchestra of the Opéra-Comique, originally as first violin, became deputy conductor in 1805 and succeeded Frédéric Blasius as first chief in 1816, a position that he would leave in 1828.
19. Mai 2024 · The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne , and was also called the Théâtre-Italien up to about 1793, when ...
Nuancé, homogène et intelligible, le chœur de l’ Ensemble Aedes se montre aussi vif sur scène que les figurant·es. Alors que Les Contes d’Hoffmann triomphent à nouveau à Bastille, gageons que ce Fantasio aura une aussi belle fortune. Une revanche méritée pour les opéras-comiques d’Offenbach.
