1980
Suchergebnisse
Suchergebnisse:
28. Mai 2024 · Simone Signoret († 64), Darstellerin, bekannt für Die Teuflischen, Armee im Schatten, Die Katze, Police Python 357, Das Narrenschiff, Pesthauch des Dschungels.
Vor 3 Tagen · Starring: Lino Ventura, Paul Meurisse, Jean-Pierre Cassel, Simone Signoret, Claude Mann, Paul Crauchet, Christian Barbier, Alain Dekok and Alain Libolt. There’s a countless number of films out there that make spy missions out to be slick, righteous and adventurous, Army of Shadows shows a completely different side to espionage.
Vor 6 Tagen · Dieser Titel des neuen Programms von Jochen Malmsheimer geht auf Simon Bolivar zurück, der ja, wenn man dem Internet glauben möchte, und das tun ja inzwischen viel zu viele, lange mit Jean Paul Sartre zusammen lebte. Vielleicht war es aber auch Simone Signoret, die mit Sartre zusammenlebte. Wer vermag das zu sagen? Und, vor allem ...
Vor 2 Tagen · Actresses Vera Clouzot, left, and Simone Signoret in a scene from the movie "Les Diaboliques." Photo: Walter Daran / Getty Images. This film is nothing less than one of the great thrillers of the second half of the twentieth century. It stars Vera Clouzot and Simone Signoret as a pair of very different women who team up to commit a murder ...
Vor 3 Tagen · In the impressive supporting cast, Simone Signoret is a stand out as the formidable Mathilde. Signoret has so much screen presence, and is one of those actors who has an uncanny ability to convey a wealth of meaning with almost imperceptible changes in her expression. The moment of parting between her and Ventura upon his escape is loaded with significance without a word being uttered.
14. Mai 2024 · Simone Signoret : en images, la brillante carrière d’un monstre sacré du cinéma. PORTFOLIO - Il y a 100 ans naissait Simone Signoret, femme de tête et femme de coeur. Retour en images sur l’une...
Vor 3 Tagen · As Lévi-Strauss memorably begins that volume lamenting that he, who hates travellers and travelling, is nonetheless writing a travelogue, so Higonnet ends his introduction by reflecting that ‘to paraphrase Simone Signoret, Paris, like nostalgia, is not what it used to be’.(p. 17)
