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  1. Vor 18 Stunden · Signature. Igor Fyodorovich Stravinsky [a] (17 June [ O.S. 5 June] 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music .

  2. Vor 2 Tagen · The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev 's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.

  3. 15. Mai 2024 · Fyodor Ignatievich Stravinsky (Russian: Фёдор Игнатиевич Стравинский), 20 June [O.S. 8 June] 1843 – 4 December [O.S. 21 November] 1902) was a Russian bass opera singer and actor. He was the father of Igor Stravinsky and the grandfather of Soulima Stravinsky.

  4. 7. Mai 2024 · 3 Enthralling fairy tales. As captivating as Stravinsky’s compositions are the stories behind the two ballets. The first, based on Hans Christian Andersen's The Ice Maiden, tells of a boy saved from a snowstorm by a fairy's kiss, only to be claimed by her on his wedding day.

  5. 11. Mai 2024 · Overview. The versatile Nikolaj Szeps-Znaider leads the CSO as soloist in Mozart’s richly melodic Violin Concerto No. 2 and Kreisler’s wistful Liebesleid. Trading violin bow for baton, Szeps-Znaider conducts Stravinsky’s Pulcinella Suite, a neoclassical gem that shines a spotlight on the orchestra’s principal players, and ...

  6. 22. Mai 2024 · Associer Olivier Py au Rake’s Progress apparaît rétrospectivement comme une évidence, tant l’opéra de Stravinsky est plein de thèmes et de problématiques chers au nouveau directeur du Festival d’Avignon : le péché et la grâce, la pureté et la corruption, le sexe et la mort. Et la tension entre ces notions se ...

  7. 22. Mai 2024 · Overview of Three Pieces for Clarinet. Stravinsky’s Three Pieces for Clarinet were composed in 1918 during a period of transition in his musical style. The pieces are characterized by their brevity, succinctness, and exploration of the clarinet’s expressive capabilities.