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  1. Vor 3 Tagen · Starring Wendell Corey. Also known as "The Corpse In The Taxi" and "Stardust." A total of 527 episodes were produced, but sadly, the majority are presumed t...

    • 23 Min.
    • 84
    • Inner Sanctum Mysteries
  2. Vor 4 Tagen · Harriet Craig (Joan Crawford) enjoys the married life but constantly tries to control those around her. She does not trust her husband, Walter (Wendell Corey), without checking up on him. When...

    • 94 Min.
    • 1
    • Munchies and a Movie
  3. Vor 5 Tagen · Thelma Ritter, Wendell Corey, and Raymond Burr deliver standout performances in their respective roles, adding depth to the narrative. Rear Window explores themes of isolation and loneliness. The apartment complex becomes a microcosm of society, where characters’ lives intertwine, highlighting their desires and struggles.

  4. 12. Mai 2024 · The movie mogul monster is usually accompanied by Wendell Corey whose character has an ironic nickname, Smiley. Corey is Steiger’s enforcer and fixer. He likes Palance but da boss is da boss: Palance hates himself for selling out and allowing the studio to protect him from a scandal that would have ended his career. The monster ...

  5. 14. Mai 2024 · Wendell Corey, who could play both good and bad guys well, is most genial and likeable here. He also had the most piercing blue eyes, very effective for dramatic scenes. As Walter Craig, he is most adoring and doting toward his wife. The supporting cast is very good, as each of them tangle with Harriet, and flee. Lucile Watson is a ...

  6. 2. Mai 2024 · On TV Corey starred in the weekly series Harbor Command (1957) and The Eleventh Hour (1961-63). Intensely interested in politics, Corey was once the president of the Academy of Motion Picture Arts and Sciences and the director of the Screen Actors, and served on the Santa Monica City Council; he ran for but did not win California's Republican congressional seat.

  7. 14. Mai 2024 · Matthau then went on to knock her co-star, Wendell Corey, an unprepossessing actor who was good when he was doing a menacing type in Budd Boetticher’s The Killer is Loose (1956), but who was hard-pressed to hold his own as a leading man opposite Stanwyck.” [Callahan, p. 158]