2006
Suchergebnisse
Suchergebnisse:
Vor einem Tag · Ryuichi Sakamoto (Japanese: 坂本 龍一, Hepburn: Sakamoto Ryūichi, January 17, 1952 – March 28, 2023) was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO).
Vor 4 Tagen · Geschrieben von dem in Japan gefeierten Autor Yûji Sakamoto erzählt er eine Geschichte über Menschen, die um ihr Glück kämpfen und von einer Freundschaft zwischen zwei Jungen, die nicht sein darf. In drei Episoden, aus drei verschiedenen Perspektiven erzählt, gibt der Film den Blick auf die Wahrheit erst nach und nach frei. Und ...
Vor 4 Tagen · Yukio Mishima [a] ( 三島 由紀夫, Mishima Yukio), born Kimitake Hiraoka ( 平岡 公威, Hiraoka Kimitake, 14 January 1925 – 25 November 1970), was a Japanese author, poet, playwright, actor, model, Shintoist, nationalist, and founder of the Tatenokai (楯の会, "Shield Society").
13. Mai 2024 · "Monster," or in the original "Kaibutsu," is a Japanese drama directed by the respected filmmaker Hirokazu Koreeda from the screenplay by Yuji Sakamoto. The story follows single mother Saori (Ando Sekura) as she confronts her son's teacher at his school after noticing disturbing changes in her son's behavior.
10. Mai 2024 · The psychological drama is written by Yuji Sakamoto and directed by Hirokazu Koreeda. By Shukrta Vaigankar Published on May 10, 2024, 17:48 IST. Monster is a psychological drama starring Soya Kurokawa and Sakura Ando in the key roles. Soya Kurokawa is well recognised for his captivating depiction of Minato Mugino in Monster.
8. Mai 2024 · Screenwriter Yuji Sakamoto is perhaps a bit too wordy and disjointed in structure and fights against fluency. Another Sakamoto regular, composer Ryuichi brings a much needed through line with a musical score that is beautiful.
9. Mai 2024 · On May 9, 2024 By elliott In Uncategorized. There is a feeling of redundancy that hangs about Monster. The elaborate structure of Yuji Sakamoto’s award-winning script repeats what Hirokazu Kore-eda’s direction never fails to imply—that the world is a much richer place than our individual experiences of it would tell us.
