Suchergebnisse
Suchergebnisse:
Vor einem Tag · Musikjahr 1950. Am 3. April 1950 stirbt in New York City der deutsch-US-amerikanischer Komponist Kurt Weill. Sein Werk umfasst Opern, Operetten, Musik für Ballette und Schauspiel, Musicals, Werke für Orchester, Kammermusik, Lieder, Songs und Chansons.
15. Juni 2024 · Der Dirigent Maurice Abravanel hinterließ eine große Zahl von kommerziellen Schallplattenaufnahmen, die vor allem sinfonische Werke der späten Romantik und der frühen Moderne umfasst. Dazu gehören Gesamtaufnahmen der Sinfonien von Johannes Brahms, Peter Tschaikowsky, Jean Sibelius und Gustav Mahler, aber auch sinfonische Werke ...
29. Mai 2024 · Also known as “syncopated rest,” the performer skips a note or does not play a note where the listener would expect one, usually on a strong beat or accent. This syncopation can generate a feeling of surprise and be an effective tool for creating rhythmically engaging music.
4. Juni 2024 · Famous compositions include "Sleigh Ride" and "the Syncopated Clock", but "Blue Tango" (written in 1951 and recorded by Anderson's orchestra) was the first instrumental recording ever to sell one million copies. (The B-side contained "Belle of the Ball".)
5. Juni 2024 · Compositions by Leroy Anderson that are available from Alfred include: Sleigh Ride, Blue Tango, Fiddle-Faddle, Irish Suite, Bugler's Holiday, A Trumpeter's Lullaby, A Christmas Festival, The Syncopated Clock, The Typewriter, and Suite of Carols for Strings.
4. Juni 2024 · To understand syncopation, you need to understand the concept of strong and weak beats (and subdivisions of beats). The strong beats (and subdivisions) are where you expect accents and other important musical events to fall. If you accent weaker beats (or subdivisions), syncopation is the result.
7. Juni 2024 · In 1947 the Three Suns topped the charts with "Peg o' My Heart," but by the 1950s line-up shuffles plagued the group -- first Al Nevins was replaced by Johnny Buck, who later gave way to Joe Negri, while brother Morty Nevins was replaced by accordionist and pianist Joe Vento in 1955.
