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A.C.T, initially formed in 1994 under the name Fairlyland, is a Swedish progressive rock band that has left an unforgettable mark on the music scene. The founding members, Ola Andersson (guitars), Tomas Erlandsson (drums), Jens Appelgren (vocals), and Jerry Sahlin (keyboards), came together and began crafting their unique sound.
Die Band wurde im Jahr 1994 unter dem Namen Fairyland von Gitarrist Ola Andersson, Schlagzeuger Tomas Erlandsson und Sänger Jens Appelgren gegründet. Kurze Zeit später kam Keyboarder Jerry Sahlin hinzu. Ohne einen Bassisten begann die Band mit den Proben, bis schließlich Simon Niklasson als Bassist zur Band kam und der erste Auftritt folgte ...
History. Initially under Ola Andersson on guitars, Tomas Erlandsson on drums, Jens Appelgren on vocals and Jerry Sahlin on keyboards, Fairyland was started by members of a music school in Malmö. [1] Amongst various line-up changes, Fairyland changed its name into A.C.T in 1995. In 1996 A.C.T first came into the public eye when it ...
In 1995, at the suggestion of Jerry SAHLIN, FAIRYLAND finally changed into A.C.T, both in name and in perspective. Taking on a new musical direction, A.C.T went all the way to a finale at a local competition, "Musik Direkt" - which gave them the opportunity to make some demos. The next year, they were favorites all the way to the grand finale ...
Swedish progressive metal masters A.C.T return with a new release on March 3 entitled Falling, and it's everything fans want and expect. Jerry and Ola stoppe...
2. März 2023 · The new A.C.T release Falling hits the streets tomorrow and I spoke with Jerry Sahlin (keyboards) and Ola Andersson (guitars) about it. It's an EP but it's about half an hour's worth of music, so the length of many albums in the 1960s and early 1970s and the third of a four-EP cycle that correspond to the seasons. Falling is a ...
Luckily The Breakup is where we get another familiar Jerry Sahlin-penned composition with very significant lyric content, which is enhanced by Herman Saming's emotional delivery. I like how this composition takes its time to unravel, but also feel like the song overstays its welcome, which becomes apparent with repeated listens.
