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  1. 11. Dez. 1974 · Directed by Yvonne Rainer. With Dempster Leech, Shirley Soffer, John Erdman, Renfren Neff. Rainer's landmark film is a meditation on ambivalence that plays with cliche and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.

    • (156)
    • Drama
    • Yvonne Rainer
    • 1974-12-11
  2. Film Info. Picking up where Lives of Performers left off, Rainer’s second, landmark feature tells the story of a woman whose sexual dissatisfaction masks an enormous anger, with Rainer needling at questions raised by contemporary feminism about the relationship between the representation of romantic clichés and sexual repression.

  3. www.ica.art › yvonne-rainer › film-about-a-woman-whoICA | Film About a Woman Who...

    Film About a Woman Who…, dir. Yvonne Rainer, USA 1974, 105 min., English. Picking up where Lives of Performers left off, Rainer’s second, landmark feature tells the story of a woman whose sexual dissatisfaction masks an enormous anger, with Rainer needling at questions raised by contemporary feminism about the relationship between the ...

  4. Film About a Woman Who ... | film.at. USA, 1974. Film Avantgarde. Yvonne Rainer nutzt eine charakteristische, minimalistische Collage-Technik, um die Beziehung zwischen öffentlicher und Privatsphäre zu untersuchen. Min. 90. Yvonne Rainer hat mit Film About a Woman Who ...

  5. Synopsis. Film About a Woman Who…, a landmark film that is still considered by many to be her masterpiece, is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.

  6. Directed by Yvonne Rainer. Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger. Cast. Crew. Details. Genres. Releases.

  7. 22. Dez. 2017 · An uncomfortably hyperextended sequence of a submissive woman being disrobed in full frontal view before a camera underscores the theme of objectification and the male gaze. Abstract (and consequently, alienated) representation of autobiographical elements: depression, an attempted suicide, alternating fear of rejection and sexual ...