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  1. James Lawrence Brooks ist ein US-amerikanischer Drehbuchautor, Filmproduzent, Filmregisseur und Schauspieler. Er wurde als Regisseur von Filmen wie Zeit der Zärtlichkeit und Besser geht’s nicht sowie als Mitschöpfer und Produzent von Serien wie Die Simpsons und Mary Tyler Moore berühmt. In seiner Karriere gewann er die ...

  2. James Lawrence Brooks (born May 9, 1940) is an American director, producer, screenwriter and co-founder of Gracie Films. He co-created the sitcoms The Mary Tyler Moore Show, Taxi, and The Simpsons and directed the films Terms of Endearment (1983), Broadcast News (1987), and As Good as It Gets (1997).

  3. James L. Brooks is an American film and television creator, known for his work on The Simpsons, Terms of Endearment, Broadcast News and more. He has won three Oscars and received many other awards and nominations for his writing and producing.

    • January 1, 1
    • 1.85 m
    • Brooklyn, New York, USA
  4. 9. Mai 2024 · James L. Brooks (born May 9, 1940, Brooklyn, New York, U.S.) is an American screenwriter, director, and producer who was active in both television and film and was especially known for character-driven ensemble work that blended warm humour with genuine dramatic sentiment.

    • The Editors of Encyclopaedia Britannica
  5. 22. Feb. 2018 · The legendary writer-director of 'Terms of Endearment', 'Broadcast News' and 'As Good As It Gets' shares his memories and insights on his life in Oscar pictures. He praises his cast, especially Jack Nicholson, and reveals some behind-the-scenes stories.

    • Sara Vilkomerson
    • James L. Brooks1
    • James L. Brooks2
    • James L. Brooks3
    • James L. Brooks4
  6. 23. Nov. 2023 · The writer-director of the Oscar-winning comedy-drama reflects on finding the humor in cancer, creating a new character for Jack Nicholson and his long gestation periods. He also reveals his plans for his next film, \"Ella McCay,\" with a star-studded cast.

  7. 10. Nov. 2023 · The writer, producer, and director reflects on his directorial debut 40 years later, and how it plays differently now. He discusses the tone, the score, the casting, and the challenges of making a comedy about cancer.