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  1. The Catherine Wheel is an album by Scottish-American musician David Byrne, released in 1981 by Sire Records. It contains Byrne's musical score for choreographer Twyla Tharp 's dance project of the same name.

    • Art Rock , Worldbeat , Funk
  2. The Catherine Wheel takes its title from a torture device used in the martyrdom of Saint Catherine of Alexandria. This device has lent its name to a number of familiar things over time - a spinning firework, a crochet pattern, a flower. Tharp’s second Broadway production operates within a world of plurality wherein an archetypal family faces ...

  3. en.wikipedia.org › wiki › Adrian_BelewAdrian Belew - Wikipedia

    Belew also played on Talking Heads member Jerry Harrison's solo album The Red and the Black and frontman David Byrne's The Catherine Wheel. At this time, the internal relationships in Talking Heads were becoming strained.

  4. Adrian Belew steuert einige seiner unvergleichlichen Gitarrensoli bei. Das Ganze ist ein Soundtrack zu einem Tanztheaterstück das Byrne gemeinsam mit Twlya Tharp geschreiben hat und in 17 Szenen wird eine apokalytische Geschichte um Radioaktivität und die "Bombe", symbolisiert durch eine Ananas, aufgerollt. Die Bühnenbilder, die auch im booklet abgebildet sind, wirken kalt,reduziert ...

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  5. 22. Apr. 2020 · After Tom Tom Club, Adrian Belew participated in David Byrne’s project ‘Songs from the Broadway Production of The Catherine Wheel’. This was a musical score commissioned by Twyla Tharp for her dance company, which was released as an album. Belew was a natural pick for Byrne, and he is credited on various tracks with steel drum ...

  6. In addition, several of the musicians on The Catherine Wheel were not exactly unknowns: Adrian Belew and Bernie Worrell both turn up, Byrne’s fellow Head, Jerry Harrison, is in the mix as well, and Ms. Tharp plays the water pot on “Cloud Chamber.” (We said they weren’t exactly unknowns, not that they were all noted musicians.)

  7. The Catherine Wheel III is a tour-friendly redaction of the original Broadway production. The set is more compact and the cast slightly smaller. Tharp condensed the original seventeen sections to fourteen and reduced the plot to its essential elements. Character names were eliminated, transforming story into allegory.