Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Elmer Rice (* 28. September 1892 als Elmer Reizenstein in New York City; † 8. Mai 1967 in Southampton) war ein US-amerikanischer Dramatiker. Er führte etliche Neuerungen auf dem Theater ein und genoss in der Zeit zwischen den Weltkriegen eine ähnliche Popularität wie beispielsweise Eugene O’Neill. [1] Inhaltsverzeichnis. 1 Karriere. 2 Leben.

  2. en.wikipedia.org › wiki › Elmer_RiceElmer Rice - Wikipedia

    Elmer Rice (born Elmer Leopold Reizenstein, September 28, 1892 – May 8, 1967) was an American playwright. He is best known for his plays The Adding Machine (1923) and his Pulitzer Prize -winning drama of New York tenement life, Street Scene (1929).

  3. Elmer Rice (born Sept. 28, 1892, New York City—died May 8, 1967, Southampton, Hampshire, Eng.) was an American playwright, director, and novelist noted for his innovative and polemical plays. Rice graduated from the New York Law School in 1912 but soon turned to writing plays.

    • The Editors of Encyclopaedia Britannica
  4. Elmer Rice | WISSEN-digital.de. amerikanischer Schriftsteller; * 28. September 1892 in New York, † 8. Mai 1967 in Southampton. eigentlich: Elmer Reizenstein; Nach einem Jurastudium wandte sich Rice der Schriftstellerei zu.

  5. Elmer Rice (born Sept. 28, 1892, New York City—died May 8, 1967, Southampton, Hampshire, Eng.) was an American playwright, director, and novelist noted for his innovative and polemical plays. Rice graduated from the New York Law School in 1912 but soon turned to writing plays.

  6. 11. Juni 2018 · Elmer Rice (1892-1967) was an American playwright and novelist. Often innovative in style, his plays reveal a concern with individual freedom confronted by the tyranny of impersonal institutions and destructive passions. Elmer Rice was born Elmer Reizenstein on Sept. 28, 1892, in New York City.

  7. (18921967), American dramatist. His first major play was the expressionist drama The Adding Machine (1923). His plays of the 1930s (We, the People, 1933; Judgment Day, 1934; Between Two Worlds, 1934) are a response to the Depression and international ideological conflict.