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Phil Karlson, eigentlich Philip N. Karlstein (* 2. Juli 1908 in Chicago, Illinois; † 12. Dezember 1985 in Los Angeles, Kalifornien) war ein US-amerikanischer Filmregisseur. Zu seinen bekanntesten Werken zählen Film noirs wie Der vierte Mann (1952), Taxi 539 antwortet nicht (1953) und Eine Stadt geht durch die Hölle (1955).
Phil Karlson (born Philip N. Karlstein; July 2, 1908 – December 12, 1982) was an American film director. Later noted as a film noir specialist, Karlson directed 99 River Street, Kansas City Confidential and Hell's Island, all with actor John Payne, in the early 1950s.
Phil Karlson. Director: Westinghouse Desilu Playhouse. Phil Karlson entered the film industry while a law student at Loyola Marymount University in California. He got a job at Universal Pictures as a prop man, then worked pretty much any job they threw at him, from being an assistant director on several Bud Abbott and Lou Costello films to ...
- January 1, 1
- Chicago, Illinois, USA
- January 1, 1
- Los Angeles, California, USA
Biography. Phil Karlson. Jump to Edit. Overview. Born. July 2, 1908 · Chicago, Illinois, USA. Died. December 12, 1985 · Los Angeles, California, USA (cancer) Birth name. Philip N. Karlstein. Mini Bio. Phil Karlson entered the film industry while a law student at Loyola. Marymount University in California. He got a job at Universal Pictures.
- July 2, 1908
- December 12, 1985
Filmografie. DVD & VoD. Regisseur. Crew. Entdecke alle Filme von Phil Karlson. Von den Anfängen seiner 39 Karriere-Jahre bis zu geplanten Projekten.
7. Mai 2024 · Phil Karlson was an American director who was best known for his film noirs of the 1950s. While studying law at Loyola Marymount University in California, Karlson took a job at Universal in the props department. He soon focused on a career in Hollywood, and in the early 1930s he became an assistant.
22. Juni 2017 · Born: 2 July 1908. Died: 12 December 1985. Director Phil Karlson’s best films – Tight Spot (1955), Five Against the House (1955), The Brothers Rico (1957), Hell to Eternity (1960) – present a consistent theme of betrayal, violence and revenge and an admirable bluntness of style. – Mark Bergman 1.
