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  1. Richard Marsh (12 October 1857 – 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle , [2] which was published the same year as Bram Stoker 's ...

  2. 4. Apr. 2006 · Richard Marsh war ein Handwerker, der wie am Fließband Romane und Kurzgeschichten für die populären Magazine seiner Zeit schrieb. Seine Produktion beschränkte sich 1897 längst nicht auf den „Skarabäus“. Viel Zeit konnte er folglich nicht auf die Niederschrift verwenden. Also griff er auf Themen und Strömungen zurück, die ...

  3. Richard Marsh (October 12, 1857–August 9, 1915) was the pseudonym of the British author born Richard Bernard Heldmann. He is best known for his supernatural thriller The Beetle: A Mystery, which was published in the same year as Bram Stoker's Dracula and was initially even more popular.

    • (5,3K)
    • August 9, 1915
    • October 12, 1857
  4. 17. Dez. 2016 · This chapter reads key works by fin-de-siècle popular author Richard Marsh in light of recent biographical discoveries about him, focusing on his best-selling late-Victorian gothic novels The Devil’s Diamond (1893), The Beetle: A Mystery (1897), The...

    • Ailise Bulfin
    • bulfinam@tcd.ie
    • 2016
  5. The Beetle (or The Beetle: A Mystery) is an 1897 fin de siècle horror novel by British writer Richard Marsh, in which a shape-shifting ancient Egyptian entity seeks revenge on a British member of Parliament.

    • Richard Marsh
    • 1897
  6. 27. Mai 2006 · Der Skarabäus von Richard Marsh. Rezension von Martin Weber. Der Skarabäus, der nunmehr in einer neuen Übersetzung als Band 10 der Bizarren Bibliothek aus dem Hause Festa vorliegt, wurde erstmalig 1897 veröffentlicht. Das Buch erzählt die Geschichte einer unheimlichen Heimsuchung, die über unbescholtene Bürger hereinbricht.

  7. Since the 1990s, critical studies of Richard Marsh have tended to adopt Richard Dalby’s characterisation of the author as ‘one of the fin de siècle’s most “demon-haunted” and obsessed masters of the macabre’.¹ However, Marsh was also a well-regarded author of comic fiction.