Suchergebnisse
Suchergebnisse:
Rose Beuret (born Marie Rose Beuret; 9 June 1844 – 14 February 1917 [1]) was a French seamstress and laundress, known to have been one of the muses and, for 53 years, the companion of Auguste Rodin, whom she married just weeks before her death in 1917.
Rose Beuret, née Marie Rose Beuret le 9 juin 1844 à Vecqueville (Haute-Marne) [1] et morte le 14 février 1917 à Meudon, est une couturière et blanchisseuse française, connue pour avoir été l'une des muses et, durant 53 ans, la compagne d'Auguste Rodin, qu'elle épousa le 29 janvier 1917, seize jours avant sa propre mort.
Begegnete Rose Beuret (1844–1917), einer einfachen Näherin, die sein Modell, seine Atelierhilfe und Lebensgefährtin wurde. Anstellung als Assistent von Albert-Ernest Carrier-Belleuse (1824–1887), einem der beliebtesten Bildhauer der Zweiten Republik, in dessen Atelier er sich den Umgang mit gebrannter Tonerde (Terrakotta ...
Rose Beuret (1844-1917) was one of Rodin's first models and his companion of fifty-three years. An uneducated seamstress from the countryside, she maintained Rodin’s studio in their youthful poverty, bore his son, Auguste-Eugène Beuret (1866–1934), and served him throughout her life. Details.
Im Alter von 76 Jahren heiratete Rodin im Januar 1917 seine langjährige Lebensgefährtin Rose Beuret, die bereits im Februar an einer Lungenentzündung starb. Am 17. November 1917 starb Auguste Rodin in Meudon. Am 24. November wurde Rodin im Park des Musée Rodin de Meudon neben seiner Frau Rose beigesetzt.
The Collection. European Sculpture and Decorative Arts. Mask of Rose Beuret. Auguste Rodin French. ca. 1880–82 or 1898. On view at The Met Fifth Avenue in Gallery 800. This is a cast of the final portrait Rodin made of Rose Beuret, one of his first models and his companion of fifty-three years.
An illiterate seamstress whom Rodin met in 1864 when she was just 20 years old, Rose Beuret continued working for years to supplement the sculptor's paltry wages, even as she bore his son and modeled for him at night. While she has been called jealous and quick to anger, this late portrait of Beuret betrays neither of those traits.
