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Iovine had also worked on Springsteen's Born to Run and Darkness on the Edge of Town albums, and was instrumental in recruiting E-Street Band keyboardist Roy Bittan for the Making Movies sessions. [3] Making Movies was recorded at the Power Station in New York from 20 June to 25 August 1980. [citation needed]
Bittan scheint einen wichtigen Einfluss auf die Karriere der Dire Straits gehabt zu haben. Das 1980er Album Making Movies wird von vielen als Durchbruch der Band betrachtet, und Roy Bittans Piano war ein wichtiger Beitrag zu diesem Erfolg.
Making Movies Studioalbum von Dire Straits; Veröffent-lichung(en) 17. Oktober 1980. Aufnahme Juli – August 1980 Label(s) Vertigo Records: Format(e) CD, LP, MC Genre(s) Rock. Titel (Anzahl) 7 Länge. 37:39 Besetzung Gesang, Gitarre: Mark Knopfler; Bass, Gesang: John Illsley; Schlagzeug: Pick Withers; Keyboard: Roy Bittan; Produktion. Mark ...
Bittan also played on the Dire Straits album Making Movies (1980). Mark Knopfler 's decision to have the keyboardist on the album's lineup was reportedly influenced by his affection for " Because the Night ", [ citation needed ] a keyboard-driven hit song cowritten by Springsteen and Patti Smith .
17. Okt. 2015 · Iovine, who had engineered three consecutive Bruce Springsteen albums (including The River, which was released on the same day as Making Movies) brought in Roy Bittan of the E Street Band...
4. Apr. 2023 · The collection was co-produced by Jimmy Iovine, who called on old friend (and E Street Band member) Roy Bittan to add his distinctive keyboard work to the mix. Both passionate and poetic, the Platinum-certified MAKING MOVIES remains among Dire Straits' very best, and we'll give it another spin to wish drummer Pick Withers a happy ...
He even went as far as getting Springsteen's piano player Roy Bittan to play lots of sweeping arpeggios and big full chords when needed, and at the very beginning of the album is an extract from Rogers and Hammerstein's The Carousel Waltz, a very Springsteenian theme. And the songs are big and dramatic, with crescendos and huge hopeful choruses ...
