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Weitere junge Talente des frühen Jazz, die sie auf Tourneen als auch bei den Aufnahmen begleiteten, waren etwa Coleman Hawkins und Fletcher Henderson. Durch den Bankrott von Paramount 1932 wurden ihre Songs erst ab den 1960er-Jahren wieder verstärkt verkauft, in den 1990er-Jahren erfolgte die komplette Veröffentlichung aller ...
2:32. View credits, reviews, tracks and shop for the 1974 Vinyl release of "Ma Rainey" on Discogs.
- (16)
- US
- 15
- 2 x Vinyl, LP, Compilation, Gatefold
30. Sept. 2022 · In See See Rider Blues,43 we get to hear Rainey accompanied by jazz greats Louis Armstrong on cornet (not trumpet), Buster Bailey on clarinet, Charlie Green on the trombone, Fletcher Henderson on piano, and (most likely) Charlie Dixon on the banjo.
Ab 1923 legte „Ma“ Rainey eine Reihe eigener Schellackplatten vor. Dabei ging sie mit Lovie Austin‘s Blues Serenaders sowie einer Reihe Jazzgiganten wie Louis Armstrong, Kid Ory, Coleman Hawkins, Fletcher Henderson ins Studio. In den 30er-Jahren war das Publikum einer Bessie oder „Ma“ Rainey nicht mehr sonderlich gewogen.
Gertrude Pridgett Rainey, better known as Ma Rainey (April 26, 1886 – December 22, 1939), was one of the earliest known professional blues singers and one of the first generation of such singers to record their music. She was known as the "Mother of the Blues."
Ma Rainey's Black Bottom [Yazoo, 1991] Kills me to find among the nine songs unavailable on the Shout! Factory alternative neither the jug-band-with-piano "Hustlin' Blues," where she turns her pimp over to the law, nor the loose-limbed New Orleans "Sissy Blues," where her man samples transvestite jellyroll. But they do include the title song, a ...
Label: Milestone. Entertainment Reviews: Down Beat - 8/92, p.51. 5 Stars - Excellent - "..recording from '24 to '28 with Don Redman, Fletcher Henderson, Louis Armstrong and Coleman Hawkins among her sidemen in accompaniments that only had to be serviceable, but are more often than not inspired, Gertrude Mallissa Pridgett moves us still.." Tracks:
